{"id":1117156,"date":"2023-08-18T11:01:05","date_gmt":"2023-08-18T15:01:05","guid":{"rendered":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/uncategorized\/why-its-always-raining-in-the-movie-se7en-david-finchers-screen-rant\/"},"modified":"2023-08-18T11:01:05","modified_gmt":"2023-08-18T15:01:05","slug":"why-its-always-raining-in-the-movie-se7en-david-finchers-screen-rant","status":"publish","type":"post","link":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/nihilism\/why-its-always-raining-in-the-movie-se7en-david-finchers-screen-rant\/","title":{"rendered":"Why It&#8217;s Always Raining In The Movie Se7en: David Fincher&#8217;s &#8230; &#8211; Screen Rant"},"content":{"rendered":"<p><p>Summary                    <\/p>\n<p>    The constant rain in David Finchers bleak neo-noir    Se7en    creates a memorable atmosphere, but there were also practical    reasons for employing it in the film. With its dark tone,    engrossing plot, and top-notch cast, Se7en is rightly    remembered as one of     David Finchers best films. The thriller follows Mills    (Brad Pitt) and Somerset (Morgan Freeman), two homicide    detectives on the trail of an elusive serial killer whose    murders are modeled after the seven deadly sins.  <\/p>\n<p>    Se7ens dark tone and harrowing ending were considered    a serious gamble upon the films release in 1995. After a    disastrous test screening, director David Fincher had to battle    with the studio to keep the film as it was (via Daily    Hind). Ultimately, the venture paid off, revitalizing    Finchers career and proving that star Pitt could deliver    depth. The rich, almost gothic atmosphere of Se7en is    praised to this day, with the use of rain proving one of the    most engaging, atmospheric tools in its arsenal, but the    downpour wasnt in the original script.  <\/p>\n<p>    While Andrew Kevin Walkers Se7en screenplay does    include some mention of rain, it isnt nearly as heavy nor as    constant as in David Finchers final film. While the rain can    be heard beating down from the first moments of the finished    film, the first line in Walkers script is Sunlight comes    through the soot on the windows. Its a striking opening    line, but Fincher has practical reasons for disregarding it. As    for the heaviness of the rain, this was the only real option    for Se7en since light rain is hard to create and even    harder to capture on film.  <\/p>\n<p>    David Fincher cites a primarily pragmatic motivation for the    continuous nature of the rain. The '90s were a big decade for    Pitt, who was already seeing his star rise thanks to such films    as 1994s Interview with the Vampire. As such, the    actor was only available to shoot Se7en for 55 days.    With such a tight timeframe, Fincher and the crew couldnt    afford to lose a day of shooting. As a result, the director    chose to have it always raining in the films city sequences so    that production wouldnt be thrown off if it started raining    for real (via Scraps From The    Loft).  <\/p>\n<p>    While the primary reason for Se7ens constant rainfall    boils down to maximized shooting efficiency, the rain    powerfully reinforces the films themes and contributes    significantly to the visual and sonic atmosphere of the film.    Even during interior scenes, the pounding of the rain is hard    to ignore, reinforcing the bleak, noirish sense of a city    oppressed by a thundering downpour of sin and nihilism, which    cant be forgotten even when the characters are safely inside.    Likewise, the reflective quality of the rain achieves a    black-and-white contrast that feeds into Se7ens    noir-esque visual language.  <\/p>\n<p>    On a thematic level, the motif of rain feeds into    Se7ens biblical allusions. Serial killer John Does    image of himself as a weapon of God sent to eradicate sin is    corroborated by the heavy rain, which calls to mind the Old    Testament story of Noahs Ark and the torrential flood which    was intended to wipe the earth clean of the sins of humanity.    After John Doe turns himself in on the 6th day of    Se7en, the rain ceases, signaling that the flood-like    killings have come to an end.     Se7ens climactic ending takes place in an    arid landscape beneath a cloudless sky where, as with Noahs    Ark, the floods have finally receded.  <\/p>\n<p>    Sources: Daily Hind, Scraps From The Loft  <\/p>\n<p><!-- Auto Generated --><\/p>\n<p>Read more:<\/p>\n<p><a target=\"_blank\" rel=\"nofollow noopener\" href=\"https:\/\/screenrant.com\/why-is-it-always-raining-in-seven-movie\/\" title=\"Why It's Always Raining In The Movie Se7en: David Fincher's ... - Screen Rant\">Why It's Always Raining In The Movie Se7en: David Fincher's ... - Screen Rant<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p> Summary The constant rain in David Finchers bleak neo-noir Se7en creates a memorable atmosphere, but there were also practical reasons for employing it in the film. With its dark tone, engrossing plot, and top-notch cast, Se7en is rightly remembered as one of David Finchers best films. The thriller follows Mills (Brad Pitt) and Somerset (Morgan Freeman), two homicide detectives on the trail of an elusive serial killer whose murders are modeled after the seven deadly sins.  <a href=\"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/nihilism\/why-its-always-raining-in-the-movie-se7en-david-finchers-screen-rant\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[187716],"tags":[],"class_list":["post-1117156","post","type-post","status-publish","format-standard","hentry","category-nihilism"],"_links":{"self":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts\/1117156"}],"collection":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/comments?post=1117156"}],"version-history":[{"count":0,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts\/1117156\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/media?parent=1117156"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/categories?post=1117156"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/tags?post=1117156"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}