{"id":1115962,"date":"2023-06-30T16:57:42","date_gmt":"2023-06-30T20:57:42","guid":{"rendered":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/uncategorized\/death-drag-and-decadence-shows-off-the-queer-joy-of-dnd-wargamer\/"},"modified":"2023-06-30T16:57:42","modified_gmt":"2023-06-30T20:57:42","slug":"death-drag-and-decadence-shows-off-the-queer-joy-of-dnd-wargamer","status":"publish","type":"post","link":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/intentional-communities\/death-drag-and-decadence-shows-off-the-queer-joy-of-dnd-wargamer\/","title":{"rendered":"Death, Drag, and Decadence shows off the queer joy of DnD &#8211; Wargamer"},"content":{"rendered":"<p><p>    Drag has a surprising amount in common with Dungeons and    Dragons. Both communities are filled with passionate performers    who pour time, love (and occasionally glitter) into a character    of their own creation. Both are also perfect platforms for    queer joy. Case in point: Death, Drag, and    Decadence, a Dungeons and Dragons actual play series    that also happens to star DnD drag queens and    kings.  <\/p>\n<p>    Death, Drag, and Decadence describes itself as a celebration    of all things queer and fantasy. Most of the cast are    experienced drag artists, with alumni from Ru Pauls Drag Race    and Dragula seated at the table. Evah Destruction, Maddy    Morphosis, Bombae, Abhora, and Andro Gin make up the current    adventuring party.  <\/p>\n<p>    With the first drag    stream airing in March, Bombae was one of the first queens    to join the show. Shes the self-described winner of Canadas    Drag Race season three (citation needed), and she has a long    history with tabletop gaming. I played board games growing up, and I think I played    Dungeons and Dragons for the first time in India ten years    ago, Bombae tells Wargamer.  <\/p>\n<p>    I used to play and DM before I became a drag queen, she    continues. That was the more expensive hobby that took over my    life, but I really missed [D&D].  <\/p>\n<p>    Its not all dungeons and drag queens, though. ESports    personality Chris Lessard (AKA Boopasaurus) dreamt up Death,    Drag and Decadence, and hes been a player in the early    adventures.  <\/p>\n<p>    Death, Drag, and Decadence was originally just an excuse for    me to find a way to play D&D, Lessard tells Wargamer. I    had just finished watching a season of Dragula, and I thought    this would be a group of people whod be good at playing    D&D  drag kings and queens and drag artists.  <\/p>\n<p>    Lessard also roped in Casters and Castles Joseph Carothers    (TormentedByGnomes)  who Lessard reckons is the next Matt    Mercer  to DM. Carothers is pretty new to the drag scene, but    hes got plenty of experience running RPGs for those in    eSports. When I got the opportunity to work with drag    performers, I thought: This is just like that, except    better, Carothers tells Wargamer.  <\/p>\n<p>    Here are performers who know that they are having fun but also    entertaining and putting on a show by playing characters, he    adds. They have the camera training, they have the public    speaking training  its 100% in terms of roleplay as    performance. Its an absolutely natural fit.  <\/p>\n<\/p>\n<p>    Death, Drag, and Decadence may feature drag artists playing    D&D, but its by no means a drag show. Everyone is in    plain-clothes mode, with not a single extravagant outfit in    sight. According to Lessard, this was deliberate.  <\/p>\n<p>    Not being in drag was a very intentional decision, he tells    Wargamer. Evah [Destruction] said something that really stuck    with me  drag is her life, and shes always in drag, and to    have something not part of that to look forward to is super    joyful.  <\/p>\n<p>    Bombae echoes this sentiment. We as drag performers we love to    perform, she says. We love putting on a show  but often,    when youre doing drag, theres so much work that goes into it    before you have to get into drag.  <\/p>\n<p>    Its very physical; youre changing your body to go to a bar    and perform. With D&D, you just show up, she adds.    There are no barriers. We get to perform, but we dont have to    put all the armor on.  <\/p>\n<\/p>\n<p>    Its clear from the get-go that Death, Drag, and Decadence is    about more than just drag. I thought itd be really cool to    show queer joy and queer people having fun,Lessard says.    Were not outwardly political; our goal is to exist and have    fun.  <\/p>\n<p>    This is about finding people you like and feel safe with, and    then having a good time for a few hours, Lessard adds. Thats    why we play D&D: to escape our world. Theres a space for    everybody, and thats the point of D&D.  <\/p>\n<p>    Mostseasons of Ru Pauls Drag Race features drama of some    kind, but Death, Drag, and Decadence struts to a different    beat. Many of its cast were strangers before the stream began,    and several still havent met in person. But Bombae, Lessard,    and Carothers speak of the show and their fellow players with a    love thats difficult to contain.  <\/p>\n<p>    Whats been absolutely amazing is the internalized respect    everyone has for each other when they perform, Lessard tells    Wargamer. Everyone gets their opportunity, and everyone gets a    moment in the spotlight. I think Gnomes is really good at    giving us a world that facilitates our creativity, he adds.  <\/p>\n<\/p>\n<p>    Bombae chimes in with support for Carothers. Wrangling regular    players is tough, but especially five queer people who love the    attention and will not let go of the spotlight, she says.  <\/p>\n<p>    Carothers, a self-described outsider to the drag scene,    returns this love in kind. Ive had the chance to meet all    these people I wouldnt have crossed paths with and whose time    I really cherish as a showrunner for an actual play channel,    he tells Wargamer. Its been phenomenal getting to play with    these people. They surprised me  especially the newbies  and    its been a wonderful experience.  <\/p>\n<p>    Any player can tell you Dungeons and Dragons brings people    together in a unique way. The rising popularity of D&D    livestreams like Death, Drag, and Decadence is only making the    game  and the joy it creates  more accessible.  <\/p>\n<p>    As streaming has picked up, and as videogames have gotten more    sophisticated, theres been more ways to scratch that kick    down the door, fight the monsters and take their treasure    itch, Carothers says. This means the unique aspects of    tabletop have been discovered by the wider community.  <\/p>\n<\/p>\n<p>    There are things you can only do in tabletop that arent    possible in videogames, he continues. People see Critical    Role and Dimension 20, and they say: This is creativity. This    is improv. This is cooperative storytelling with my friends.    This isnt just maths and spreadsheets and graph paper. That    has allowed the hobby to change  and expand, Carothers adds.  <\/p>\n<p>    Women and the queer community, theyve always been there,    theyve always been part of this team, Carothers continues.    But the space for them has exploded because of that change in    perception of what a tabletop RPG can be. The emergence of icons    and models that have advocatedand given them    representation, and that appreciation of the absolute creative    freedom tabletop gives you, has opened the door for so many    more people, he tells Wargamer.  <\/p>\n<p>    Carothers also mentions the low barrier to entry that comes    with streaming. However, this means the market is flooded with    viewing options, and success is harder to find.  <\/p>\n<p>    Even the unique selling point of Death, Drag, and Decadence    isnt entirely unique. Just as the show wrapped its first    season, Dimension 20 announced its own drag actual play,    Dungeons and Drag Queens.  <\/p>\n<\/p>\n<p>    Despite the crowded market, Lessard isnt worried about    competing. I think we already stand out, he tells Wargamer.    We have our main crew, which I think love each other, and we    love hanging out with each other  thats the basis of standing    out, in my opinion.  <\/p>\n<p>    There are plenty of plans to expand Death, Drag, and Decadence.    The current cast will continue playing together for a new    chapter, as well as in a one shot focused on a particularly    beloved character, Skrambles. Lessard says new DMs and drag    artists will feature in the series. And while the bonds between    players will no doubt deepen, Lessard also wants to build    relationships with the shows audience.  <\/p>\n<p>    I dont want to keep this to people just in the drag    community, he says. For example, I would love to add a    community table. This, he says, may feature some of its fans     or drag artists  in the DM seat, running games.  <\/p>\n<p>    Death, Drag, and Decadence is an actual play that makes    community and joy feel as important as rolling the DnD dice.    Its a perfect representation of Carothers number one rule for    D&D: People first.  <\/p>\n<p>    For more queer joy in D&D, heres some tips on how to explore queerness safely in D&D,    as well as how tabletop RPGs like DnD are an LGBTQ+    haven.  <\/p>\n<p><!-- Auto Generated --><\/p>\n<p>See the rest here: <\/p>\n<p><a target=\"_blank\" rel=\"nofollow noopener\" href=\"https:\/\/www.wargamer.com\/dnd\/death-drag-and-decadence\" title=\"Death, Drag, and Decadence shows off the queer joy of DnD - Wargamer\">Death, Drag, and Decadence shows off the queer joy of DnD - Wargamer<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p> Drag has a surprising amount in common with Dungeons and Dragons. Both communities are filled with passionate performers who pour time, love (and occasionally glitter) into a character of their own creation <a href=\"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/intentional-communities\/death-drag-and-decadence-shows-off-the-queer-joy-of-dnd-wargamer\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[187810],"tags":[],"class_list":["post-1115962","post","type-post","status-publish","format-standard","hentry","category-intentional-communities"],"_links":{"self":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts\/1115962"}],"collection":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/comments?post=1115962"}],"version-history":[{"count":0,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts\/1115962\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/media?parent=1115962"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/categories?post=1115962"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/tags?post=1115962"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}