{"id":1115940,"date":"2023-06-28T12:32:52","date_gmt":"2023-06-28T16:32:52","guid":{"rendered":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/uncategorized\/why-spike-lees-do-the-right-thing-still-matters-movieweb\/"},"modified":"2023-06-28T12:32:52","modified_gmt":"2023-06-28T16:32:52","slug":"why-spike-lees-do-the-right-thing-still-matters-movieweb","status":"publish","type":"post","link":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/black-lives-matter\/why-spike-lees-do-the-right-thing-still-matters-movieweb\/","title":{"rendered":"Why Spike Lee&#8217;s Do the Right Thing Still Matters &#8211; MovieWeb"},"content":{"rendered":"<p><p>    Legendary filmmaker Spike    Lee shook the world with the summer release of his    1989 drama Do    the Right Thing. For those unfamiliar with    the picture, Do the Right Thing follows Mookie    Blackmon, an employee of Sals Famous Pizzeria, as he spends    one hot summer day delivering pizzas throughout    New York Citys Bedford-Stuyvesant Brooklyn neighborhood.    While making his deliveries, Mookie encounters and interacts    with the neighborhoods colorful characters in a thoughtful    examination of race and class. However, despite Do the    Right Thing being considered one of the greatest films of    the 1980s (specifically the best film of 1989 by acclaimed film    critic Roger Ebert), the Academy Awards opted to award the    Bruce Beresford-directed period dramedy Driving Miss    Daisy, a less controversial film, with the Best Picture    honor at the 1990 Academy Awards.  <\/p>\n<p>    Among the films brilliant acting performances is Lee as    Mookie, the late Danny Aiello as Sal, frequent collaborator    Giancarlo Esposito as Buggin Out, John Turturro (another of    Lees frequent collaborators) as Pino, Rosie Perez in her    feature-film debut as Tina, and the late Bill Nunn as the    unforgettable Radio Raheem. As is often the case when artists    tackle sensitive subjects like race and violence, Do the    Right Thing received high praise and severe criticism from    critics for its portrayals of people of color, race relations,    and a memorable ending that forces audiences to consider    whether Mookie did, in fact, do the right thing.  <\/p>\n<p>    With Do the Right Things thirty-fourth anniversary    occurring on the thirtieth of this month, well examine why    Lees Do the Right Thing is a significant film and why    its themes and messages are still relevant thirty-four years    later.  <\/p>\n<p>    A prominent theme in Do the Right Thing is the    relationship between law    enforcement and people of color  specifically African    American males, and even with both sides feeling threatened by    the others mere presence, their relationship is contentious at    best. However, as the day marches on and the already hottest    day in New York heats up even more, the police and civilians of    Bed-Stuy become increasingly more agitated with each other.    This agitation and stress eventually and unfortunately    culminate in a riot between Sals Pizzeria and the primarily    Black inhabitants of the neighborhood  and before anyone has    the time to process whats happening, Radio Raheems murder by    members of the NYPD.  <\/p>\n<p>    Related: The    Best Spike Lee Movie of Every Decade  <\/p>\n<p>    On July 17, 2014, life would imitate art when footage of members of    the NYPD murdering Eric Garner, an unarmed Black man, via    chokehold in broad daylight surfaced. The situation and its    eerily similar circumstances were not lost on Lee as the    filmmaker would splice footage of    Raheems death with footage of Garners, along with    scathing remarks against the officers involved. Despite the    many claims of police brutality against African Americans being    a thing of the past, weve all bore witness to many instances    of such still occurring throughout the nation.  <\/p>\n<p>    Most recently, the murder of George Floyd by police officer    Derek Chauvin in 2020 reignited the Black Lives Matter movement    and the I cant breathe rallying cry started by Garners    murder. Despite the tragic and racist circumstances that have    led to these notable references to Do the Right Thing,    they have exposed newer generations to the film and its    anti-racist themes and, thus, will hopefully contribute to our    society doing better.  <\/p>\n<p>    Do the Right Thing is regularly screened and studied    in college and university courses thirty-four years after its    initial release, thus solidifying its status as a significant    piece of art. Moreover, this film and the rest of Lees career    have inspired many generations of filmmakers  notably    acclaimed writer-directors M. Night Shyamalan and Barry    Jenkins. AFI included Do the Right Thing in its 10th    Anniversary AFIs 100 Years 100 Movies list at number    ninety-six, and New York Times film    critic Wesley Morris has cited Do the Right Thing    as his favorite film.  <\/p>\n<p>    Related: John    Turturro's Best Performances, Ranked  <\/p>\n<p>    The respected film preservation company, The Criterion    Collection, has restored and re-released the film twice  once    on DVD in 2001 and again on Blu-Ray in 2019 to coincide with    the films thirtieth anniversary. Additionally, Quincy Street    and Lexington Avenue, the neighborhood where the film is set,    was renamed Do The Right Thing Way in 2015 after Robert Cornegy    Jr. pushed for the New York City city council to honor the film    and its legacy with the initiative.  <\/p>\n<p>    Do the Right Thing is objectively one of the most    influential films ever made, and its status as such is    primarily due to Lees thought-provoking script, masterful    directing, and notable usage of Public Enemys Fight the    Power. The film offered insights on controversial topics from    a rarely heard or seen perspective and concluded on a somewhat    ambiguous note, leaving fans and critics still pondering its    ending. Whereas a film like Miss Daisy played things    safe, Do the Right Thing was provocative and    insightful, challenging its audience to consider their biases,    politics, and environments.  <\/p>\n<p>    While Lee has gone on to    have an exceptional career with follow-up classics like    Malcolm X, Clockers, Bamboozled,    25th Hour, Inside Man, and    BlacKkKlansman, Do the Right Thing will    likely go down in history as the auteurs finest work chiefly    because of its themes, cinematography, and social relevance    across multiple generations.  <\/p>\n<p><!-- Auto Generated --><\/p>\n<p>Original post:<\/p>\n<p><a target=\"_blank\" rel=\"nofollow noopener\" href=\"https:\/\/movieweb.com\/why-spike-lee-do-the-right-thing-matters\/\" title=\"Why Spike Lee's Do the Right Thing Still Matters - MovieWeb\">Why Spike Lee's Do the Right Thing Still Matters - MovieWeb<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p> Legendary filmmaker Spike Lee shook the world with the summer release of his 1989 drama Do the Right Thing. For those unfamiliar with the picture, Do the Right Thing follows Mookie Blackmon, an employee of Sals Famous Pizzeria, as he spends one hot summer day delivering pizzas throughout New York Citys Bedford-Stuyvesant Brooklyn neighborhood.  <a href=\"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/black-lives-matter\/why-spike-lees-do-the-right-thing-still-matters-movieweb\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[450973],"tags":[],"class_list":["post-1115940","post","type-post","status-publish","format-standard","hentry","category-black-lives-matter"],"_links":{"self":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts\/1115940"}],"collection":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/comments?post=1115940"}],"version-history":[{"count":0,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts\/1115940\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/media?parent=1115940"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/categories?post=1115940"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/tags?post=1115940"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}