{"id":1115774,"date":"2023-06-22T14:36:20","date_gmt":"2023-06-22T18:36:20","guid":{"rendered":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/uncategorized\/the-best-albums-of-the-year-so-far-2023-the-vinyl-factory\/"},"modified":"2023-06-22T14:36:20","modified_gmt":"2023-06-22T18:36:20","slug":"the-best-albums-of-the-year-so-far-2023-the-vinyl-factory","status":"publish","type":"post","link":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/personal-empowerment\/the-best-albums-of-the-year-so-far-2023-the-vinyl-factory\/","title":{"rendered":"The best albums of the year so far (2023) &#8211; The Vinyl Factory"},"content":{"rendered":"<p><p>    6 months of music not to be missed.  <\/p>\n<p>    Were halfway through the year and that only means one thing;    its time to take stock of the brilliant music blessing our    ears over the last six months. From debut albums to established    legends, lush pop to doom-driven trad, 2023 has so far given us    a wonderful scope of talent, exploration and artistry.  <\/p>\n<p>    Read below the discover the VF teams favourite albums of the    year so far.  <\/p>\n<p>    (Glitterbeat Records)  <\/p>\n<p>    Buy  <\/p>\n<p>    Altn Gn return to their Anatolian folk-rock roots with fifth    album Ak, after venturing into synth-pop with    previous releases lemand Yol. A    hypnotic snapshot of the groups live prowess, Ak    dances between space-rock stomps and funky-acid breakdowns with    ease all while bringing 70s psych folk into the modern    day.Becky Rogers  <\/p>\n<p>    (Verve Records)  <\/p>\n<p>        Buy  <\/p>\n<p>    Arooj Aftab teams up with pianist Vijay Iyer and    multi-instrumentalist Shahzad Ismaily on Love In Exile    for a lesson in musical collaboration. Love In Exile    is a minimalist proposition, centred around interplay    between keys, bass and voice. This minimalism leaves space to    examine the intricacies of each artists talent as disparate    parts speak to each other with stunning chemistry. Hypnotic and    engulfing.Kelly Doherty  <\/p>\n<p>    (Matador)  <\/p>\n<p>    Buy  <\/p>\n<p>    Mysterious trio bar italia offer up a mixing pot of lo-fi,    post-punk and shoegaze on their third album, and first on    Matador, Tracey Denim. The 15-track LP is more fleshed    out than previous releases, maxing out at nearly double the    length, but its Tracey Denims grit that pushes it    into rock-essential territory.BR  <\/p>\n<p>    (Backwoodz)  <\/p>\n<p>    Buy  <\/p>\n<p>    billy woods and Kenny Segal reunite to craft the best hip-hop    album of the year so far. billy woods is in unbeatable form on    Maps, giving voice to his anxieties and the downside    of a life spent on the road. His delivery alternates between    harsh and vulnerable, supplemented by the free-flowing,    discordant productions of Segal. A diamond in a catalogue    filled with precious jewels.KD  <\/p>\n<p>    (Saddle Creek)  <\/p>\n<p>    Buy  <\/p>\n<p>    Katherine Paul, aka Black Belt Eagle Scout, releases her third    albumvia Saddle Creek. Bottling elements of 90s shoegaze    and marrying it with a thrilling, tender grandiosity, The    Land, The Water, The Sky is a spiritual journey to    discovering ones identity through nature and ancestral    connection. A beautifully crafted and insightful release.KD  <\/p>\n<p>    (Interscope)  <\/p>\n<p>    Buy  <\/p>\n<p>    Few albums this year have had as much online anticipation as    The Record. boygenius, the supergroup made up of    contemporary indie-folk triumvirate Phoebe Bridgers, Lucy Dacus    and Julien Baker, present their first fully-realised project    following what seemed to be a one-off EP back in 2018. The    Record plays to each members strengths, serving as a    sampling menu for the trios individual styles. Across    Bridgers dark humour, Dacus earnest story-telling and Bakers    intensity, The Record is an alt-rock rumble focusing    on personal insecurities and the power of friendship.KD  <\/p>\n<p>    (Perpetual Notice)  <\/p>\n<p>    Buy  <\/p>\n<p>    Caroline Polachek welcomes us onto her pop-infected island with    Desire, I Want To Turn Into You. A playbook for    becoming a pop sensation, Desire has a passion for    maximalism and the abstract with its Spanish guitars, bagpipes    and Celtic influences complimenting Polacheks euphoric    composition seamlessly.BR  <\/p>\n<p>    (Saddle Creek)  <\/p>\n<p>    Buy  <\/p>\n<p>    Indigo De Souza gets visceral on her third album for Saddle    Creek. Filled with blunt, observational lyricism against an    alt-country-leaning full band sound, All Of This Will    End grapples with lifes constant interplay between hope    and disappointment. Cathartic and anthemic, this is one for    blasting with the windows rolled down.KD  <\/p>\n<p>    (Border Community)  <\/p>\n<p>    Buy  <\/p>\n<p>    Following a period of deviance from the techno of his early    career, UK producer James Holden incorporates his musical    explorations by creating a rave album that refuses to be reined    in by structures or genre divisions. The result is a colourful,    joyous set of club-oriented bangers that contain the multitudes    that the albums title implies. Grab your friends, head to a    field, throw this on and dance your worries away.KD  <\/p>\n<p>    (Atlantic)  <\/p>\n<p>        Buy  <\/p>\n<p>    After a five-year wait, Janelle Mone returns with an album for    the good days. The Age Of Pleasure moves fluidly    between genres, picking motifs from hip-hop, amapiano, reggae    and much more and rolling them together in a seductive, joyous    celebration of personal empowerment and sexuality. A    quintessential summer album. KD  <\/p>\n<p>    (EMI)  <\/p>\n<p>    Buy  <\/p>\n<p>    Red Moon In Venus is an album about love in all its    forms, both for others and ones self. Against lush, dreamy    R&B textures, Uchis relishes her feminine energy and treats    matters of the heart with a devoted, spiritualistic approach.    Packed with lovers anthems and pop sensuality, Red Moon In    Venus is an excellently produced melodic pleasure.KD  <\/p>\n<p>    (Warp)  <\/p>\n<p>    Buy  <\/p>\n<p>    With a star-studded cast of features including Francis & The    Lights, Theo Croker and Danny Brown, Kassa Overalls    Animals in an astute vision of jazzs vitality in    2023. Intersecting jazz arrangements with languid hip-hop    beats, electronica and inscrutable experimentation,    Animals feels explorative and wholly new. Very little    on this album is to be expected as each track heads its own    exciting direction.KD  <\/p>\n<p>    (Warp)  <\/p>\n<p>    Buy  <\/p>\n<p>    Kelela takes a left turn on her long-awaited second album,    Raven. Opting into a more futuristic, experimental    sound than the heady R&B of her career to date,    Raven is a transformative release with a holistic    vision of Black femme identity and the relationship between the    human body and nature. Kelelas hooky sultriness remains,    making for a release that is both danceable and    thought-provoking.KD  <\/p>\n<p>    (Ghostly)  <\/p>\n<p>    Buy  <\/p>\n<p>    Canadian producer Khotin returns to downtempo powerhouse    Ghostly for Release Spirit. A tender and insular    collection, Release Spirit evokes the video-game    soundtracks of the early 00s, building its own music language    through a series of bleeps, samples and a gentle, cloud-like    atmosphere. Release Spirit is a massage for the mind    and Khotins best release yet.KD  <\/p>\n<p>    (Interscope)  <\/p>\n<p>    Buy  <\/p>\n<p>    Lana Del Rey cant stop winning. Her current streak of albums,    kicked off by 2019s Norman Fucking Rockwell!, has    seen the sometimes popstar, sometimes great American songwriter    undergo a radical expansion of her capabilities. Her latest,    with its unwieldy title, continues to cement her position as    one of the best of our generation. Sprawling, ambitious and    intensely self-aware, Did You Know is more rewarding    with each listen.KD  <\/p>\n<p>    (Rough Trade)  <\/p>\n<p>    Buy  <\/p>\n<p>    Irish folk experimentalists Lankum bridge unease and    tranquillity with their fourth album False Lankum.    Though a sprawling collection of reimagined Irish trad tracks    and two originals, False Lankum pulls together    traditionalism and modernity with confidence.BR  <\/p>\n<p>    (Jagjaguwar)  <\/p>\n<p>    Buy  <\/p>\n<p>    Lonnie Holley isnt afraid to divulge on Oh Me Oh    Myhis thoughts need to be heard. Recollections of    Holleys experiences during Jim Crow-era America and his time    at Alabama Industrial School for Negro Children span its 11    tracks, backed by a barrage of free-jazz, spoken word and    maximalist funk. An incredible, ambitious release.BR  <\/p>\n<p>    (Warp)  <\/p>\n<p>    Buy  <\/p>\n<p>    Despite suffering a robbery of her studio equipment, Nabihah    Iqbal returns on flying form with Dreamer. The Ninja    Tune release sees Iqbal move in a more organic, indie-inspired    direction and its an absolute treat. Buoyed by a post-punk    spirit steeped in nostalgia and loneliness, Dreamer is    perfect for late-night solo walks and coming-of-age movie-style    realisations. The World Couldnt See Us is an album standout,    with its irresistible hook and sense of defiance. Lovely    melancholic stuff.KD  <\/p>\n<p>    (XL)  <\/p>\n<p>    Buy  <\/p>\n<p>    Overmonos debut album Good Liesdelivers on the    increasingly fervent hype around the duo. An ode to 90s rave    culture, whilst drawing upon more contemporary club aesthetics,    Good Lies is euphoric and emotional and successfully    responds to the present-day appetite for updated nostalgia.    Overmono are at the helm of a new era in mainstream dance music    and Good Lies is a fitting introduction.KD  <\/p>\n<p>    (Atlantic)  <\/p>\n<p>        Buy  <\/p>\n<p>    Paramore yet again readjust their gaze on their sixth studio    album, This Is Why. The former pop-punk leaders have    continued to warp their sound throughout the years, dabbling in    emo, grunge, new wave, pop, and electronic and their latest    transformation looks towards early 00s post-punk and indie.    This Is Why is a brief yet impactful tumble through    Hayley Williams millennial anxieties. Painfully relatable,    perhaps, but Williams is a perfect guide through the bad    days.KD  <\/p>\n<p>    (Rocket Recordings)  <\/p>\n<p>    Buy  <\/p>\n<p>    Wake up from the Land Of Sleeper with Pigs x7s latest    primordial noise-metal release. Sludging riffs aplenty,    Land Of Sleeper keeps its loud-mouthed doom-rock heart    balanced alongside creepy choral interludes (The Weatherman)    and trad-folk duets (Ball Lightning).BR  <\/p>\n<p>    (Domino)  <\/p>\n<p>    Buy  <\/p>\n<p>    Midwest punks Protomartyr return with Formal Growth In The    Desert, a collection of tracks about getting on with    life. Focused on configuring change and growth rather than    just pushing woes aside, Formal Growth In The Desert    finds hope in vocalist Joe Caseys impassioned post-punk    snarls.BR  <\/p>\n<p>    (Milan Records)  <\/p>\n<p>    Buy  <\/p>\n<p>    Ryuichi Sakamotos twelfth, and final, solo studio album is a    minimalist outing with a now elegiac quality. Written and    recorded throughout Sakamotos battle with cancer, 12    contains raw ambient sketches from the maestro. Allowing a high    level of audience intimacy, from including Sakamotos breath to    the bare-bones nature of these recordings, 12 is a    graceful send-off to a legend.KD  <\/p>\n<p>    (4AD)  <\/p>\n<p>    Buy  <\/p>\n<p>    The Golden Dregs third album, On Grace & Dignity, is    a sobering but poignant look into project-lead Benjamin Woods    pandemic experiences of digging holes in his hometown of    Truro. Among the discussions of gentrification and finding    hope, Woods baritone warmth battles the bleak and settles    among brass-lined solemness.BR  <\/p>\n<p>    (ATO)  <\/p>\n<p>    Buy  <\/p>\n<p>    The Murlocs serve up free-rolling country rock with Calm Ya    Farm, an album packed with harmonicas, flamenco-guitars,    flutes and go-go organs. Seemingly far from their previous    gritty garage-psych blues releases, Calm Ya Farm holds    the same sentimenttake a step back and have fun with what    comes your way.BR  <\/p>\n<p>    (WEDGE)  <\/p>\n<p>    Buy  <\/p>\n<p>    Tuareg desert-blues rockers Tinariwen welcome us into their    ever-evolving soundscape with Amattsou. For this cut,    the outfit link their North African country lilt with Americana    fundamentals, seeing contributions from Fats Kaplin and Daniel    Lanois. Never detracting, these additions push Tinariwens    fight for justice to new heights.BR  <\/p>\n<p>    (Secretly Canadian)  <\/p>\n<p>    Buy  <\/p>\n<p>    Polymath Wesley Joseph finds his feet on his second album    GLOW. Following in the steps of experimental R&B    master Frank Ocean, GLOW never stays in its lane,    constantly changing modes yet always held together by Josephs    stream-of-consciousness flow. An exciting showcase from an    artist with immense potential.KD  <\/p>\n<p>    (XL)  <\/p>\n<p>    Buy  <\/p>\n<p>    Yaeji finally releases her debut album and its a certified    winner. Moving away from the club bangers that made her name,    With A Hammer takes forward-looking electronic    elements and blends them with jazz, trip-hop and pop. Whilst    Yaejis output has often had a sugary sweet sheen, With A    Hammer confronts the pain and anger of growing older and    coping in an often cruel world. Her most personal and    consequential work yet.KD  <\/p>\n<p>    (Own Your Own)  <\/p>\n<p>        Buy  <\/p>\n<p>    East London singer-songwriter Yazmin Lacey blesses us with her    feel-good debut Voice Notes. Forgoing smooth    production for a rawer, live feel, Voice Notes is a    chill ride. Dabbling in soul, R&B and jazz, Voice    Notes tells localised stories littered with narrative    detail and a relaxed perspective all through Laceys    beautifully warm voice. A charming debut.KD  <\/p>\n<p>    (Ninja Tune)  <\/p>\n<p>    Buy  <\/p>\n<p>    For their first album in five years, Young Fathers Heavy    Heavy is a joyous collection of riff-laden tracks itching    to get you moving. Full of heart, haste, and soul, each cut is    as good as the next. An essential for all collectors.BR  <\/p>\n<p><!-- Auto Generated --><\/p>\n<p>More here:<\/p>\n<p><a target=\"_blank\" rel=\"nofollow noopener\" href=\"https:\/\/thevinylfactory.com\/features\/the-best-albums-of-2023-so-far\/\" title=\"The best albums of the year so far (2023) - The Vinyl Factory\">The best albums of the year so far (2023) - The Vinyl Factory<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p> 6 months of music not to be missed. Were halfway through the year and that only means one thing; its time to take stock of the brilliant music blessing our ears over the last six months. From debut albums to established legends, lush pop to doom-driven trad, 2023 has so far given us a wonderful scope of talent, exploration and artistry <a href=\"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/personal-empowerment\/the-best-albums-of-the-year-so-far-2023-the-vinyl-factory\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[187728],"tags":[],"class_list":["post-1115774","post","type-post","status-publish","format-standard","hentry","category-personal-empowerment"],"_links":{"self":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts\/1115774"}],"collection":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/comments?post=1115774"}],"version-history":[{"count":0,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts\/1115774\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/media?parent=1115774"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/categories?post=1115774"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/tags?post=1115774"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}