{"id":10845,"date":"2013-02-02T03:43:58","date_gmt":"2013-02-02T03:43:58","guid":{"rendered":"http:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/filmmaker-cries-censorship-as-italy-political-documentary-blocked\/"},"modified":"2013-02-02T03:43:58","modified_gmt":"2013-02-02T03:43:58","slug":"filmmaker-cries-censorship-as-italy-political-documentary-blocked","status":"publish","type":"post","link":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/transhuman-news-blog\/censorship\/filmmaker-cries-censorship-as-italy-political-documentary-blocked\/","title":{"rendered":"Filmmaker cries censorship as Italy political documentary blocked"},"content":{"rendered":"<p><p>    ROME (Reuters) - A British filmmaker said on Friday he was a    victim of censorship after a leading museum    cancelled the Italian premiere of the documentary \"Girlfriend    in a Coma\", which is highly critical of Italy's political and    economic situation.  <\/p>\n<p>    The museum where the film was to have been shown on February 13    cancelled the showing and said it could not be held until after    the country's elections on Feb 24-25.  <\/p>\n<p>    Former Economist    magazine editor Bill Emmott, who made the film with    Italian Annalisa    Piras, called the decision by the Museum of 21st Century    Art (MAXXI) a product of \"censorship and    stupidity\".  <\/p>\n<p>    MAXXI, run by a foundation overseen by the culture ministry,    said it could not be host to activity that can be seen to have    political connotations ahead of the elections.  <\/p>\n<p>    \"This is not censorship,\" a spokesperson said. \"After the    elections, the film can be shown here.\" The election date has    been known for nearly two months.  <\/p>\n<p>    Emmott was for 13 years the chief editor of the Economist    magazine, which published covers highly critical of former    prime minister    Silvio Berlusconi, including a famous 2001 cover which    read: \"Why Silvio    Berlusconi is Unfit to Lead Italy\".  <\/p>\n<p>    \"I am shocked. I would not have been shocked if this had    happened during the government of my good friend Silvio    Berlusconi, but the culture ministry doing this now is    astonishing,\" he told Reuters by telephone from Jamaica.  <\/p>\n<p>    The MAXXI is run by a foundation which is funded by the culture    ministry.  <\/p>\n<p>    The film, which has already shown in New York, Miami, Brussels    and London, paints a picture of what the authors say is the    country's moral, social and economic decline over the past 20    years since Berlusconi came to power.  <\/p>\n<p>    \"What this decision reflects is a very cautious mentality that    wants to hide the reality of the situation of Italy and seeks    to stifle debate about the causes because they might be too    revealing,\" Emmott said.  <\/p>\n<p><!-- Auto Generated --><\/p>\n<p>See the original post:<br \/>\n<a target=\"_blank\" href=\"http:\/\/news.yahoo.com\/filmmaker-cries-censorship-italy-political-documentary-blocked-203746943.html;_ylt=A2KJjb1yiwxRZUgAHcn_wgt.\" title=\"Filmmaker cries censorship as Italy political documentary blocked\">Filmmaker cries censorship as Italy political documentary blocked<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p> ROME (Reuters) - A British filmmaker said on Friday he was a victim of censorship after a leading museum cancelled the Italian premiere of the documentary \"Girlfriend in a Coma\", which is highly critical of Italy's political and economic situation. The museum where the film was to have been shown on February 13 cancelled the showing and said it could not be held until after the country's elections on Feb 24-25. Former Economist magazine editor Bill Emmott, who made the film with Italian Annalisa Piras, called the decision by the Museum of 21st Century Art (MAXXI) a product of \"censorship and stupidity\" <a href=\"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/transhuman-news-blog\/censorship\/filmmaker-cries-censorship-as-italy-political-documentary-blocked\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19],"tags":[],"class_list":["post-10845","post","type-post","status-publish","format-standard","hentry","category-censorship"],"_links":{"self":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts\/10845"}],"collection":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/comments?post=10845"}],"version-history":[{"count":0,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts\/10845\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/media?parent=10845"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/categories?post=10845"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/tags?post=10845"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}