{"id":1066500,"date":"2022-03-31T02:35:50","date_gmt":"2022-03-31T06:35:50","guid":{"rendered":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/uncategorized\/behind-the-scenes-of-moulin-rouge-as-the-iconic-show-comes-to-london-metro-co-uk\/"},"modified":"2022-03-31T02:35:50","modified_gmt":"2022-03-31T06:35:50","slug":"behind-the-scenes-of-moulin-rouge-as-the-iconic-show-comes-to-london-metro-co-uk","status":"publish","type":"post","link":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/hedonism\/behind-the-scenes-of-moulin-rouge-as-the-iconic-show-comes-to-london-metro-co-uk\/","title":{"rendered":"Behind the scenes of Moulin Rouge as the iconic show comes to London &#8211; Metro.co.uk"},"content":{"rendered":"<p><p>The iconic Paris cabaret has come to Londons West End and its a sexy, lavish world of hedonism  (Picture: Daniel Lynch)<\/p>\n<p>Were there a category at next weeks Olivier Awards for the post-lockdown showthat offered the public the best escapism, Moulin Rouge! would be a slam-dunk. <\/p>\n<p>The stage version of Baz Luhrmanns 2001 film stuns the moment you walk into the Piccadilly Theatre. This show doesnt so much as have a set as exult in a sexy, lavish world conjuring the hedonism of Pariss renowned pleasure palace. <\/p>\n<p>However, because there is no Best escapism award at the Oliviers this production has to settle for the five categories for which it has been nominated: Best New Musical, Best Actor In A Supporting Role In A Musical, Best Costume Design, Best Choreography and Best Design.<\/p>\n<p>This last one recreates the real Moulin Rouges iconic follies of the architectural kind. They tower over the audience like great mirages: a windmill on one side of the theatre and a giant blue elephant emerging from the royal box on the other.<\/p>\n<p>They are not really necessary, says laid-back Tony Award-winning designer Derek McLane from his New York studio. <\/p>\n<p>But theyre fun. They are part of that insane environment, which makes the audience feel like members of this crazy club for the evening.<\/p>\n<p>To view this video please enable JavaScript, and consider upgrading to a webbrowser thatsupports HTML5video<\/p>\n<p>Turning the theatre into a cabaret club where, as top-hatted host Harold Zidler (Olivier-nominated Clive Carter) puts it, all are welcome no matter what your desires, has entailed draping walls in 800sq m of red velvet and the cast in 300costumes. <\/p>\n<p>Satines diamond corset has 8,600 hand-placed rhinestones. It is worn by the casually glamorous Los Angeles-born Liisi LaFontaine when her Satine (Nicole Kidmans role in the movie) makes her spectacular entrance, gracefully descending from the ceiling on a spindly swing. <\/p>\n<p>First, she must leg it backstage to the top of the building. Company manager Anthony Field describes the route: Liisi has to run all the way through the bowels of the building, out a side exit around the front (with a golf umbrella if the weather is gross) up the road<\/p>\n<p>I have to put on extra layers so people cant see the costume, adds Liisi. into another side exit, continues Anthony, up a gantry, then a tiny flight of stairs She then gets changed at the top.<\/p>\n<p>Liisi has her own entourage everywhere she goes backstage, explains Anthony. Verity is head of wigs and make-up, Beth handles sound and mics and there is Chloe who is Liisis personal dresser. <\/p>\n<p>The team, dressed in black with headphones, follows the star everywhere. If I need little water sips, or need a cough drop, they provide, says Liisi. <\/p>\n<p>But Anthony still hasnt finished the route to the top of the building:  then up a cat ladder, then shes in the hands of the automation team. <\/p>\n<p>With all these cameras its like NASA, making sure we dont open the trap door when Liisis standing there. Shes very brave. Its really scary up there.<\/p>\n<p>We have a rule that once shes clipped we dont touch that harness until Liisi unclips herself, says Josh Colenutt, automation deputy head. When I first started the job it was terrifying, says Liisi. <\/p>\n<p>The swing is just over the trap door and Im just kind of dangling up there. Liisi, who previously starred as Deena in Dreamgirls, says its a rare chance to sneakily watch the audience watching the show  thats what gets me excited.<\/p>\n<p>One more safety check from Josh, and Liisi descends, one of the few moments she is not haring around. Its like two hours of cardio, she says. <\/p>\n<p>And on Wednesdays and Saturdays, which are double show days, by the end of the night, Im just like, Wow. I have nothing left.<\/p>\n<p>Book tickets now on the Moulin Rouge website. <\/p>\n<p>MORE : Gemma Collins faces backlash from theatre fans and acting community as she lands stage role in Chicago The Musical<\/p>\n<p>MORE : Nicole Kidman and Kylie Minogue among celebs celebrating Moulin Rouge! as iconic musical turns 20<\/p>\n<p><!-- Auto Generated --><\/p>\n<p>Visit link:<\/p>\n<p><a target=\"_blank\" rel=\"nofollow noopener\" href=\"https:\/\/metro.co.uk\/2022\/03\/30\/behind-the-scenes-of-moulin-rouge-as-the-iconic-show-comes-to-london-16374438\/\" title=\"Behind the scenes of Moulin Rouge as the iconic show comes to London - Metro.co.uk\">Behind the scenes of Moulin Rouge as the iconic show comes to London - Metro.co.uk<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p> The iconic Paris cabaret has come to Londons West End and its a sexy, lavish world of hedonism (Picture: Daniel Lynch) Were there a category at next weeks Olivier Awards for the post-lockdown showthat offered the public the best escapism, Moulin Rouge! would be a slam-dunk.  <a href=\"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/hedonism\/behind-the-scenes-of-moulin-rouge-as-the-iconic-show-comes-to-london-metro-co-uk\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":9,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[187715],"tags":[],"class_list":["post-1066500","post","type-post","status-publish","format-standard","hentry","category-hedonism"],"_links":{"self":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts\/1066500"}],"collection":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/comments?post=1066500"}],"version-history":[{"count":0,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts\/1066500\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/media?parent=1066500"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/categories?post=1066500"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/tags?post=1066500"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}