{"id":1018463,"date":"2021-06-28T22:42:00","date_gmt":"2021-06-29T02:42:00","guid":{"rendered":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/in-paris-brexit-takes-to-the-stage-the-new-york-times\/"},"modified":"2021-06-28T22:42:00","modified_gmt":"2021-06-29T02:42:00","slug":"in-paris-brexit-takes-to-the-stage-the-new-york-times","status":"publish","type":"post","link":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/brexit\/in-paris-brexit-takes-to-the-stage-the-new-york-times\/","title":{"rendered":"In Paris, Brexit Takes to the Stage &#8211; The New York Times"},"content":{"rendered":"<p><p>Ella, the sole 21st-century character, learns at the start that she is pregnant and, after losing consciousness, finds herself in a psychiatric hospital, grappling with family memories. She becomes Jeanne, her great-grandmother, who loses her daughter Rosa after divorce; Rosa, who undergoes an illegal abortion; and Zena, from another side of the family, who hemorrhages during the delivery of her son in Yemen.<\/p>\n<p>There is at times too much back story packed into this one-hour show, to the point that Ellas growth as a character remains limited. But Anis, who was named an associate playwright with the Thtre Grard Philipe in 2020, paints a vivid, often poetic picture of the womens shared trauma, both in her writing and onstage.<\/p>\n<p>Her ability to physically transform from scene to scene  one minute a nearly feral presence with hair over her face, the next a shy young mother-to-be  is a rare gift, and the director of The Monstrous Ones, her frequent collaborator Karim Hammiche, makes way for her to explore it freely.<\/p>\n<p>Hammiche joins her onstage for a few scenes, as Ellas doctor during her hospital stay, but this is very much Aniss show. For French high school students, it offered an opportunity to explore a darker, rarely discussed side of being a mother. Now, at long last, productions like The Monstrous Ones are playing in theaters again.<\/p>\n<p>Exit. Directed by Patrick Alluin. Thtre de la Huchette, through Aug. 28.<\/p>\n<p>The Monstrous Ones. Directed by Karim Hammiche. Thtre Grard Philipe. Further performances to be announced.<\/p>\n<p><!-- Auto Generated --><\/p>\n<p>Read the original post: <\/p>\n<p><a target=\"_blank\" rel=\"nofollow noopener\" href=\"https:\/\/www.nytimes.com\/2021\/06\/24\/theater\/brexit-paris.html\" title=\"In Paris, Brexit Takes to the Stage - The New York Times\">In Paris, Brexit Takes to the Stage - The New York Times<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p> Ella, the sole 21st-century character, learns at the start that she is pregnant and, after losing consciousness, finds herself in a psychiatric hospital, grappling with family memories. She becomes Jeanne, her great-grandmother, who loses her daughter Rosa after divorce; Rosa, who undergoes an illegal abortion; and Zena, from another side of the family, who hemorrhages during the delivery of her son in Yemen. There is at times too much back story packed into this one-hour show, to the point that Ellas growth as a character remains limited <a href=\"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/brexit\/in-paris-brexit-takes-to-the-stage-the-new-york-times\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":9,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[411165],"tags":[],"class_list":["post-1018463","post","type-post","status-publish","format-standard","hentry","category-brexit"],"_links":{"self":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts\/1018463"}],"collection":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/comments?post=1018463"}],"version-history":[{"count":0,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts\/1018463\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/media?parent=1018463"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/categories?post=1018463"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/tags?post=1018463"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}