{"id":96842,"date":"2013-12-23T22:43:44","date_gmt":"2013-12-24T03:43:44","guid":{"rendered":"http:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/uncategorized\/russian-futurism-wikipedia-the-free-encyclopedia.php"},"modified":"2013-12-23T22:43:44","modified_gmt":"2013-12-24T03:43:44","slug":"russian-futurism-wikipedia-the-free-encyclopedia","status":"publish","type":"post","link":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/futurism\/russian-futurism-wikipedia-the-free-encyclopedia.php","title":{"rendered":"Russian Futurism &#8211; Wikipedia, the free encyclopedia"},"content":{"rendered":"<p><p>\"Russian Futurists\" redirects here. For the band, see      The Russian Futurists.        <\/p>\n<p>    Russian Futurism was a    movement of Russian poets and artists who adopted the    principles of Filippo Marinetti's    \"Futurist Manifesto\". Russian Futurism    may be said to have been born in December 1912, when the    Moscow-based literary    group Hylaea (Russian:     [Gileya]) (initiated in 1910 by David Burlyuk and    his brothers at their estate near Kherson, and quickly joined by Vasily    Kamensky and Velimir Khlebnikov, with Aleksey Kruchenykh and Vladimir Mayakovsky joining in    1911)[1] issued a    manifesto entitled A Slap in the Face of Public    Taste.[2]    Although Hylaea is generally considered to be the most    influential group of Russian Futurism, other groups were formed    in St. Petersburg (Igor Severyanin's Ego-Futurists), Moscow (Tsentrifuga, with Boris    Pasternak among its members), Kiev, Kharkov, and Odessa.  <\/p>\n<p>    Like their Italian counterparts, the Russian Futurists were    fascinated with the dynamism, speed, and restlessness of modern    machines and urban life. They purposely sought to arouse    controversy and to gain publicity by repudiating the static art    of the past. The likes of Pushkin and Dostoevsky, according to them, should be    \"heaved overboard from the steamship of modernity\". They    acknowledged no authorities whatsoever; even Filippo Tommaso Marinettiwhen    he arrived in Russia on a proselytizing visit in 1914was    obstructed by most Russian Futurists who did not profess to owe    him anything.  <\/p>\n<p>    In contrast to Marinetti's circle, Russian Futurism was    primarily a literary rather than plastic philosophy. Although    many poets (Mayakovsky, Burlyuk) dabbled with painting, their    interests were primarily literary. However, such    well-established artists as Mikhail Larionov, Natalia    Goncharova, and Kazimir Malevich found inspiration in    the refreshing imagery of Futurist poems and experimented with    versification themselves. The poets and painters collaborated    on such innovative productions as the Futurist opera    Victory Over the    Sun, with music by Mikhail Matyushin, texts by    Kruchenykh and sets contributed by Malevich.  <\/p>\n<p>    Members of Hylaea elaborated the doctrine of Cubo-Futurism    and assumed the name of budetlyane (from the Russian    word budet 'will be'). They found significance in the    shape of letters, in the arrangement of text around the page,    in the details of typography. They considered that there is no    substantial difference between words and material things, hence    the poet should arrange words in his poems like the artist    arranges colors and lines on his canvas. Grammar, syntax, and    logic were often discarded; many neologisms and profane words    were introduced; onomatopoeia was declared a universal    texture of verse. Khlebnikov, in particular, developed \"an    incoherent and anarchic blend of words stripped of their    meaning and used for their sound alone\",[3] known as    zaum.  <\/p>\n<p>    With all this emphasis on formal experimentation, some    Futurists were not indifferent to politics. In particular,    Mayakovsky's poems, with their lyrical sensibility, appealed to    a broad range of readers. He vehemently opposed the meaningless    slaughter of the Great War and hailed the Russian    Revolution as the end of that traditional mode of life    which he and other Futurists ridiculed so zealously.  <\/p>\n<p>    After the Bolsheviks gained power, Mayakovsky's    grouppatronized by Anatoly Lunacharsky, Lenin's    minister of educationaspired to dominate Soviet culture. Their    influence was paramount during the first years after the    revolution, until their programor rather lack thereofwas    subjected to scathing criticism by the authorities. By the time    OBERIU attempted to revive some of the    Futurist tenets during the late 1920s, the Futurist movement in    Russia had already ended. The most militant Futurist poets    either died (Khlebnikov, Mayakovsky) or preferred to adjust    their very individual style to more conventional requirements    and trends (Aseyev, Pasternak).  <\/p>\n<p><!-- Auto Generated --><\/p>\n<p>Here is the original post:<\/p>\n<p><a target=\"_blank\" href=\"http:\/\/en.wikipedia.org\/wiki\/Russian_Futurism\" title=\"Russian Futurism - Wikipedia, the free encyclopedia\">Russian Futurism - Wikipedia, the free encyclopedia<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p> \"Russian Futurists\" redirects here. For the band, see The Russian Futurists.  <a href=\"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/futurism\/russian-futurism-wikipedia-the-free-encyclopedia.php\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"limit_modified_date":"","last_modified_date":"","_lmt_disableupdate":"","_lmt_disable":"","footnotes":""},"categories":[11],"tags":[],"class_list":["post-96842","post","type-post","status-publish","format-standard","hentry","category-futurism"],"modified_by":null,"_links":{"self":[{"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/posts\/96842"}],"collection":[{"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/comments?post=96842"}],"version-history":[{"count":0,"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/posts\/96842\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/media?parent=96842"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/categories?post=96842"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/tags?post=96842"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}