{"id":47106,"date":"2012-06-13T04:13:07","date_gmt":"2012-06-13T04:13:07","guid":{"rendered":"http:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/uncategorized\/truth-freedom-and-classical-music.php"},"modified":"2012-06-13T04:13:07","modified_gmt":"2012-06-13T04:13:07","slug":"truth-freedom-and-classical-music","status":"publish","type":"post","link":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/freedom\/truth-freedom-and-classical-music.php","title":{"rendered":"Truth, freedom and classical music"},"content":{"rendered":"<p><p>    Malek Jandali, born in Germany to Syrian parents in 1972, is an    award-winning prolific composer and pianist. For the first time    in his career, Jandali will be performing in the historic    Cadogan Hall with the Royal Philharmonic Orchestra in London on    June 19.    Jandalis musical career began in 1988 after winning the first    prize at the National Young Artists competition followed by    the 1997 Outstanding Musical Performer Award in the United    States.    Jandali is the first Arab musician to arrange the oldest music    notation in the world, which was featured in his 2008 album    Echoes from Ugarit. He was the recipient of the 2011 Freedom    of Expression award in Los Angeles for his song Watani Ana     I am my Homeland, as well as his activism in the Arab Spring    movement for human rights and democracy. In 2012, he was    recognized in New York City with the Arab-American Cultural    Achievement Award.    Jandali shares his passion for his homeland and the inspiration    of his latest album \"Emessa\", which includes original    compositions recorded with the Russian Philharmonic Orchestra.  <\/p>\n<p>    What has been the reaction regionally and internationally to    Freedom Qashoush Symphony?    Art is about beauty, truth and freedom. The role of an artist    is to be the true voice of the people and mirror the reality on    the ground. I composed Freedom to support all people,    anytime, anywhere, in their noble, peaceful quest for liberty    and human rights. The reaction was amazing both here in the US    and back home in Syria and throughout the Arab world. The music    was a bridge between the Arab Spring movement and the world in    an attempt to tell the story of a true Syrian artist Ibrahim    Qashoush who was murdered during the peaceful demonstrations of    the Syrian revolution.  <\/p>\n<p>    What is the message of your music?    The message of my music is universal and my role as an artist    is to spread the message of peace, harmony and love through    music. I have the responsibility to ensure that the voice of    the people is being heard, and is not tainted with fear or    oppression.  <\/p>\n<p>    Which Philharmonic orchestra would you most desire to play your    music with?    As you know, I recorded both Emessa and Echoes from Ugarit    with the Russian Philharmonic Orchestra in Moscow. Performing    with the Royal Philharmonic Orchestra is wonderful. I dream to    perform my music with a world class Philharmonic orchestra,    which we still lack in the Arab world but the Vienna    Philharmonic is definitely on the top of my list.  <\/p>\n<p>    Your song Watani Ana brought great trauma to your family. Do    you think Syria can achieve the freedom and peace your song    speaks off?    Every day, the brave people in Syria are faced with atrocities    and crimes that are much more vicious than the attack on my    parents. The kidnapping, torture and murders of thousands of    innocent civilians, including women, children and even babies    is nothing short of crimes against humanity. The first peace    treaty in human history was recorded in Homs, Syria at the    battle of Kadesh in 1274 BC when the Syrian people chose love    and peace over hatred and war. Today, this free spirit of love    and freedom is alive again after thousands of years. All    Syrians regardless of their religion, ethnic background or race    are marching for freedom similar to what the American people    and the French people did when they demanded their beautiful    freedom that they are enjoying today. The time has come for the    Syrian people and we are paying a very high price. The people    in Syria know that freedom is never free but the beat of    freedom is unstoppable and the voice of the people will never    be silenced again.  <\/p>\n<p>    Your elderly parents were forced to flee Syria. How do your    parents feel about the song now?    My beloved parents loved the song prior to my release date on    April 17 the Independence Day of Syria. Today, after the brutal    attack by the Syrian government security forces, they dont    just love it but they adore it. My courageous mother and wise    father told me that this assault is worth at least one song of    yours so keep going son. This was a source of both motivation    and inspiration from the two most important people in my life.  <\/p>\n<p>    Why do you think your song scared the Syrian government so    much?    This regime has proven to the world that it is incapable of    true, meaningful dialogue and reform, and is prepared to    eradicate any semblance of opposition, even peaceful    demonstrations. When this regime realized that they could not    stop the universal message of peace and humanity, they resorted    to actual violence against my family and murdered over 3,000    innocent Syrian.  <\/p>\n<p>    What impact do you think your song has had, both here and in    Syria?    The Syrian people have taught me, and the world, lessons in    courage especially those who have sacrificed their lives while    chanting for freedom and dignity. I hope that my five-minute    song provided them some comfort and support. I believe that    this simple song helped in building a musical bridge between    the Arab Spring peaceful revolution and the American people who    are now more aware of the atrocities committed by the Assad    regime against innocent Syrians.  <\/p>\n<p>    You are one of very few composers\/musicians speaking out    against Assads regime. Why is that the case?    In Syria, all artists are limited in one way or another. The    government controls all aspects of the arts and media, and    therefore we lack true, free artistic expression. This strategy    restricts the advancement of artists and results in hollow,    fictitious art. In short, when there is no freedom, there is no    true art. This brutal regime also controls people abroad    through intimidation and illegal tactics by a staff of Syrian    embassies from Washington, DC to London.  <\/p>\n<p>    What is next for you?    My journey will continue in my upcoming album Emessa (the    Roman name of the city of Homs), which will reflect the    historical events of the peaceful Syrian revolution. I just    came back from Moscow after recording my new album with the    Russian Philharmonic Orchestra. I will dedicate this album to    the Syrian people, especially in Homs since the highest number    of martyrs, so far have been from this city of peace.  <\/p>\n<\/p>\n<p>Read more:<\/p>\n<p><a target=\"_blank\" href=\"http:\/\/www.arabnews.com\/truth-freedom-and-classical-music\" title=\"Truth, freedom and classical music\">Truth, freedom and classical music<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p> Malek Jandali, born in Germany to Syrian parents in 1972, is an award-winning prolific composer and pianist. For the first time in his career, Jandali will be performing in the historic Cadogan Hall with the Royal Philharmonic Orchestra in London on June 19. Jandalis musical career began in 1988 after winning the first prize at the National Young Artists competition followed by the 1997 Outstanding Musical Performer Award in the United States.  <a href=\"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/freedom\/truth-freedom-and-classical-music.php\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"limit_modified_date":"","last_modified_date":"","_lmt_disableupdate":"","_lmt_disable":"","footnotes":""},"categories":[30],"tags":[],"class_list":["post-47106","post","type-post","status-publish","format-standard","hentry","category-freedom"],"modified_by":null,"_links":{"self":[{"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/posts\/47106"}],"collection":[{"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/comments?post=47106"}],"version-history":[{"count":0,"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/posts\/47106\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/media?parent=47106"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/categories?post=47106"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/tags?post=47106"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}