{"id":43508,"date":"2013-10-16T10:43:30","date_gmt":"2013-10-16T14:43:30","guid":{"rendered":"http:\/\/www.eugenesis.com\/premiere-see-yeasayers-new-music-video-shot-in-the-worlds-trippiest-laboratory\/"},"modified":"2013-10-16T10:43:30","modified_gmt":"2013-10-16T14:43:30","slug":"premiere-see-yeasayers-new-music-video-shot-in-the-worlds-trippiest-laboratory","status":"publish","type":"post","link":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/microbiology\/premiere-see-yeasayers-new-music-video-shot-in-the-worlds-trippiest-laboratory.php","title":{"rendered":"Premiere: See Yeasayer&#8217;s New Music Video Shot in the World&#8217;s Trippiest Laboratory"},"content":{"rendered":"<p><p>    The tower of Naturalis in the Dutch province of Leiden is like    something sprung from the mind of Terry Gilliam: seven stories    of shelves lined with preserved animals, insects, and fossils.    Row upon row of jars containing discomfiting specimens. The    tower houses the largest collection of natural history objects    in Holland, and its sealed from the public  unless youre    Ruben van Leer, and you want to film the music video for the    latest Yeasayer single, Glass of the Microscope. In which    case you get the whole place to yourself.  <\/p>\n<p>    For a moment, among these scientific objects, we felt the    entire history of the city, van Leer, a Dutch filmmaker and    artist, told WIRED. We wanted to fuse that history with ideas    of an evolutionary future. After technology saves the world     as Silicon Valley wants us to believe  what then?  <\/p>\n<p>    The last track on Yeasayers acclaimed 2012 album Fragrant    World, Glass of the Microscope is heavy with the bands    characteristic silky synths and torpid melodies. Theres a    post-apocalyptic vibe in the video that is subtle but    persistent, imagining band members Chris Keating, Ira Wolf    Tuton, and Anand Wilder as scientists struggling to find a cure    for an unnamed global affliction. In addition to the Naturalis    tower, the band filmed in molecular biologist Hans Tankes lab    at Leiden University, one of the oldest research universities    in Europe and the place where the 17th-century Dutch    microbiologist Antoine van Leeuwenhoek developed an early    prototype of the electron microscope.  <\/p>\n<p>    Van Leer specializes in the refraction of the scientific    through art. His in-progress opera film, Symmetry, was    the     first project selected by the arts@CERN program in Geneva,    where he spent time shooting film at the Large Hadron Collider    and thinking about how concepts in high-energy particle physics    inform narratives of bodies in motion on a macroscopic scale.  <\/p>\n<p>    Through technology, we can observe our world from an    increasing number of perspectives, and interact with its data,    said van Leer. In this way, storytelling becomes a part of    reality. Pop culture becomes science becomes culture again.  <\/p>\n<p>    Theres a tension between analog and digital  as well as the    scientific and the philosophical  throughout the new video,    which layers film shot through microscopes with 3-D computer    animation created using a Microsoft Kinect motion sensor    camera. As objects preserved in jars merge with objects pressed    between plates of glass beneath the microscope, human bodies    dance through those same microscopic images.  <\/p>\n<p>    What if the causes of certain material manifestations that    seem so big in our world can be found on a microscopic scale    within ourselves? asked van Leer. Through the pressure and    response of our environment, well be forced to think in more    symbiotic ways. In the end, this cure for what ails the world    is left to the imagination of the audience.  <\/p>\n<p>    A final, delicious fact about van Leer: his father is the lead    vocalist and guitarist for the prog-rock group Focus, whose    instrumental cut Hocus Pocus blew up in the U.S. in the early    70s. As a kid, van Leer says he would ask his father why he    became a musician, and his dad would reply, I make music for    the spheres. Van Leer is similarly enigmatic when he speaks    about his own work and what he hopes to achieve with it. The    power of art, for me, lies in aspiration, he said. We already    have the power to create. What world will we make?  <\/p>\n<p><!-- Auto Generated --><\/p>\n<p>Read the original:<br \/>\n<a target=\"_blank\" href=\"http:\/\/feeds.wired.com\/c\/35185\/f\/661370\/s\/328744bd\/sc\/38\/l\/0L0Swired0N0Cunderwire0C20A130C10A0Cyeasayer0Eglass0Emicroscope0Evideo0C\/story01.htm\" title=\"Premiere: See Yeasayer&#39;s New Music Video Shot in the World&#39;s Trippiest Laboratory\">Premiere: See Yeasayer&#39;s New Music Video Shot in the World&#39;s Trippiest Laboratory<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p> The tower of Naturalis in the Dutch province of Leiden is like something sprung from the mind of Terry Gilliam: seven stories of shelves lined with preserved animals, insects, and fossils. Row upon row of jars containing discomfiting specimens. The tower houses the largest collection of natural history objects in Holland, and its sealed from the public unless youre Ruben van Leer, and you want to film the music video for the latest Yeasayer single, Glass of the Microscope <a href=\"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/microbiology\/premiere-see-yeasayers-new-music-video-shot-in-the-worlds-trippiest-laboratory.php\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":57,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"limit_modified_date":"","last_modified_date":"","_lmt_disableupdate":"","_lmt_disable":"","footnotes":""},"categories":[577473],"tags":[],"class_list":["post-43508","post","type-post","status-publish","format-standard","hentry","category-microbiology"],"modified_by":null,"_links":{"self":[{"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/posts\/43508"}],"collection":[{"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/users\/57"}],"replies":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/comments?post=43508"}],"version-history":[{"count":0,"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/posts\/43508\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/media?parent=43508"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/categories?post=43508"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/tags?post=43508"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}