In the rejiggered universe of Marvels new Spider-Man run, Mary Jane is a victim of the cyborg villain Cadaverous; Peter Parker is a grieving, one-armed hero whos traded in his costumed career for a isolated job as a war photographer; and Ben Parker is the couples wayward spawn. Ben holds a grudge against his distant father, a man who seems to drown himself in work, but its all rattled when Peters superheroic past comes to light. <\/p>\n
[Ed. note: the rest of this story contains spoilers for Spider-Man #2]<\/p>\n
In Spider-Man #2, Ben slips into the Spider-Man spandex to assume the mantle, which fits him like destiny. He cant resist. Like father, like son. The theme of the book is also metatextual: For his foray into comic books, writer-director-producer J.J. Abrams recruited his kiddo Henry Abrams to co-write, and co-obliterate, everything Spider-Man fans would expect from a book. As he did for Mission: Impossible, Star Trek, and Star Wars, the elder Abrams approaches Spider-Man like hes the first person to ever write for Spider-Man. <\/p>\n
Which may explain why the dialogue in Spider-Man #2 is Extremely Dialogue, corny to the point of stilted, and the story feels familiar. But the book unfolds with confidence, and after unspooling and re-knotting the mythology in #1, Team Abrams does the same thing to Spideys moral code with the help of Bens manic pixie dream schoolmate Faye.<\/p>\n
The brazen quality of Spider-Man, even as it stumbles through the hollow mystery of Cadaverous and scenes of Spider-Mans teen talk, makes this a book I know Ill jump on each issue. There are no rules in place as J.J and Henry dig around the Marvel sandbox, and if theres room for a world-building punch to the gut, theyll take it. Like when Spider-Man #2 killed off Captain America, Thor, Black Widow, and Hulk. <\/p>\n
Off-screen. Theyre just dead now.<\/p>\n
Spider-Man #2 doesnt have the heft of Abrams Star Trek or The Force Awakens. Its not Spider-Man for a new generation that still feels like Miles Morales continued place in the universe. But that seems to be the goal: a comic for people who vaguely know Spider-Man and would easily rile up any Marvel devotees. Theres a reason why actual Star Trek fans will always remind you that Abrams movies exist in the damning Kelvinverse versus the real timeline. <\/p>\n
J.J. and Henrys book should hold a similar status in Marvel universe history. There is whats really happening in the ongoing Spider-Man universe, and then theres whats happening in Spider-Man, which is where regular Abrams cameo-maker Greg Grunberg lives, apparently.<\/p>\n
As dedicated as J.J and Henry are to shattering the Spider-Man universe, theyre still reliant on the past. The audiences understanding of the status quo is required to feel those fractures, a crutch that keeps the book (along with Sara Pichellis lively portraits of Ben and Faye) from becoming anything of their own. Right now, Spider-Man is basically an explosive-demolition supercut on YouTube entertaining, but fleeting. While the Abrams boys can break everything they want, Im still waiting for them to build something of their own.<\/p>\n
Spider-Man #2 is out now. Four issues remain in the six-issue miniseries. <\/p>\n
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J.J. Abrams Spider-Man book killed The Avengers in a very Abrams way - Polygon<\/a><\/p>\n","protected":false},"excerpt":{"rendered":" In the rejiggered universe of Marvels new Spider-Man run, Mary Jane is a victim of the cyborg villain Cadaverous; Peter Parker is a grieving, one-armed hero whos traded in his costumed career for a isolated job as a war photographer; and Ben Parker is the couples wayward spawn. Ben holds a grudge against his distant father, a man who seems to drown himself in work, but its all rattled when Peters superheroic past comes to light. Continue reading