When Ghislain Poirier first appeared on the dance music scene a few years ago, he made a splash with gleefully noisy, jarringlyfrenetic tracksbuiltout ofwailing synthesizers and choppy beats. His songs offered the best parts of dancehall, techno, club rap, and pretty much everything else thats made to get people acting rowdy on a dance floor.At the time, this sort of genre agnosticism hadnt yet become as firmly entrenched in dance music as it is nowwhich meant thatfans scrambled to figure out what to even call Poiriers music. New Yorker pop critic Sasha Frere-Jonescame closest to nailing the musicshighly focused vibrancy when he coined the term lazer bass. <\/p>\n
When hes not lighting dance floors on fire, Poirier records stuffunder the name Boundary that does pretty much the exact opposite. His new album Still Lifeis richly textured chill-out music thats calming and conducive to meditative statesbut still delivers enough bass to keep beat junkies happy.Each track is a skillfully uncluttered arrangement of meticulously well-designed tones, and each spin is like entering a perfectly manicured Zen garden of sound. For a sample of its habit-forming vibes, try this free download of Still Lifes standout track Rosemont. <\/p>\n
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Visit link: When Ghislain Poirier first appeared on the dance music scene a few years ago, he made a splash with gleefully noisy, jarringlyfrenetic tracksbuiltout ofwailing synthesizers and choppy beats. His songs offered the best parts of dancehall, techno, club rap, and pretty much everything else thats made to get people acting rowdy on a dance floor.At the time, this sort of genre agnosticism hadnt yet become as firmly entrenched in dance music as it is nowwhich meant thatfans scrambled to figure out what to even call Poiriers music Continue reading
\nGrab a free download of Boundarys chilled-out, bass-happy Rosemont<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"