{"id":239711,"date":"2012-06-07T01:10:41","date_gmt":"2012-06-07T01:10:41","guid":{"rendered":"http:\/\/www.eugenesis.com\/anatomy-of-a-broadway-poster-%e2%80%93-the-story-behind-the-art\/"},"modified":"2012-06-07T01:10:41","modified_gmt":"2012-06-07T01:10:41","slug":"anatomy-of-a-broadway-poster-the-story-behind-the-art","status":"publish","type":"post","link":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/anatomy\/anatomy-of-a-broadway-poster-the-story-behind-the-art.php","title":{"rendered":"Anatomy Of A Broadway Poster \u2013 The Story Behind The Art"},"content":{"rendered":"<p><p>      (credit: Thinkstock)    <\/p>\n<p>    The ubiquitous Broadway poster is more than just eye candy for    the busy New Yorker and tourist. These pretty pictures, which    cover so much of the city, convey  or at least suggest  the    experience a Broadway production holds for the potential    audience member. What will you see, hear and (hopefully) feel    once you plop down your hard-earned money for a seat in one of    Broadways storied theatres? Its a shows calling card. It    helps put people in seats.  <\/p>\n<p>    Upon first glance, a Broadway poster may seem deceptively    simple  a picture or graphic with a title and some credits.    But a lot of very creative people put a lot of thought and    effort into creating whats known in the industry as key art.    Its this key art gets that gets spun off into the countless    versions you see online, in the subways, outside theatres and    above Times Square. The final product, in all its forms,    depends on the show and the audience its producers wish to    attract.  <\/p>\n<p>      (credit: SpotCo)    <\/p>\n<p>    For Once, the Off-Broadway transplant about an Irish    musician and a Czech immigrant brought together by music, the    challenge was to reinvent a personal story for a broader    audience. As Darren Cox, Associate Creative Director at SpotCo,    an advertising agency that handles many of the most successful    Broadway shows, explained, Once was this little    fantastic gem of a show downtown that just flowered into this    huge success. The original art, which SpotCo also developed,    had a very personal, slice-of-life kind of aesthetic, which    was very intimate and really really good for downtown, but we    found out that other needs arose when the show moved to    Broadway. The bigger stage and the bigger potential audience    required an updated look and feel to get noticed.  <\/p>\n<p>    The art needed to pack more of a punch. According to Cox,    there was a little bit of a fear that the intimacy of the show    and the kind of quiet beauty of the show could be sort of    swallowed up The solution was to hold on to certain artifacts    from the original as inspiration and then dial everything up.    They hired a photographer and shot the actors in real    environments in the theatre, on the street, at a bar.    And then we pulled back in some of the graphics and the logo    treatment that had that downtown intimate feel, but then    married it to the larger brand. Looking at the original and    updated art you can really see there is sort of this    relationship where they do feel theyre kinda like in the same    voice but one has a much stronger, louder, much more splashy    kind of voice.  <\/p>\n<p>    See    more Broadway posters.  <\/p>\n<p>      (credit: SpotCo)    <\/p>\n<p>    One Man, Two Guvnors, a comedy about an easily    confused man who agrees to work for both a local gangster and a    criminal in hiding, required a different approach. The play,    starring the talented comedic actor James Corden, came to    Broadway from Londons West End. As Cox explained, It was    something that already has a lot of traction and success, and    we wanted to communicate that. But we wanted to communicate    that in a way that was fun, interesting and sort of off-kilter    like the show. The show had received rave reviews from British    audiences and press, a sort of stamp of approval. But it still    needed to be introduced to American theatergoers.  <\/p>\n<p>    We knew we had a star in James Corden, noted Cox. And the    art very much reflects that by hitting pretty hard the cred    that its gotten from England. In addition to the shows star    in a pose that suggests the plays physical humor, the poster    features glowing comments and five-star ratings from various    London papers. The National Theatre in London has a great    track record of doing really wonderful shows, according to    Cox. So we thought that that would make it more comfortable    for consumers. The goal, in this case, is to make the    unfamiliar seem familiar by lending it some credibility. We    really tried to build that into the artwork so that people knew    this was  an established brand.  <\/p>\n<\/p>\n<p>Read the original here:<br \/>\n<a target=\"_blank\" href=\"http:\/\/newyork.cbslocal.com\/2012\/06\/06\/anatomy-of-a-broadway-poster-the-story-behind-the-art\/\" title=\"Anatomy Of A Broadway Poster \u2013 The Story Behind The Art\">Anatomy Of A Broadway Poster \u2013 The Story Behind The Art<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p> (credit: Thinkstock) The ubiquitous Broadway poster is more than just eye candy for the busy New Yorker and tourist. These pretty pictures, which cover so much of the city, convey or at least suggest the experience a Broadway production holds for the potential audience member. What will you see, hear and (hopefully) feel once you plop down your hard-earned money for a seat in one of Broadways storied theatres?  <a href=\"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/anatomy\/anatomy-of-a-broadway-poster-the-story-behind-the-art.php\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"limit_modified_date":"","last_modified_date":"","_lmt_disableupdate":"","_lmt_disable":"","footnotes":""},"categories":[577281],"tags":[],"class_list":["post-239711","post","type-post","status-publish","format-standard","hentry","category-anatomy"],"modified_by":null,"_links":{"self":[{"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/posts\/239711"}],"collection":[{"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/comments?post=239711"}],"version-history":[{"count":0,"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/posts\/239711\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/media?parent=239711"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/categories?post=239711"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/tags?post=239711"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}