{"id":238689,"date":"2017-08-25T01:24:39","date_gmt":"2017-08-25T05:24:39","guid":{"rendered":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/uncategorized\/taylor-swifts-new-album-signals-a-dark-powerful-style-shes-never-shown-before-glamour.php"},"modified":"2017-08-25T01:24:39","modified_gmt":"2017-08-25T05:24:39","slug":"taylor-swifts-new-album-signals-a-dark-powerful-style-shes-never-shown-before-glamour","status":"publish","type":"post","link":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/evolution\/taylor-swifts-new-album-signals-a-dark-powerful-style-shes-never-shown-before-glamour.php","title":{"rendered":"Taylor Swift&#8217;s New Album Signals a Dark, Powerful Style She&#8217;s Never Shown Before &#8211; Glamour"},"content":{"rendered":"<p><p>        Taylor Swift      is a master of self-invention. It's    been said before, but she's a success by design: behind the    girl-next-door persona that's so incredibly easy to relate to    (yeah! Eff that guy and his precious truck, we'll do better),    there's a whole machine of thought that goes into her image.    Since she burst onto the scene in 2006, we've lived through    multiple incarnations, watching her style evolve at every big    turning point in her career.  <\/p>\n<p>    Country princess, pop star, retro babe,        fashun      lover: everyone's got their personal    Swift era preference. Nowhere better is each image so    succinctly summed up than the look that comes with a new album    drop. So, with     Reputation's      cover reveal and a     rumored new single      on the way,    we're taking a stroll back through her greatest beauty hitsand    analyzing what this new era could signal.  <\/p>\n<p>    PHOTO:     Getty Images  <\/p>\n<p>    Our first introduction to Swift as a    Nashville teen, her country era was strongly, strongly    boilerplate princess-themed. Innocence was the name of the game    on her eponymously named album, alongside songs like \"Teardrops    on My Guitar\" (DREW!), \"Picture to Burn\" (still a banger), and    \"Our Song.\" With her naturally curly hair and love for the    maximum amount of glitter on both her eyeshadow and dresses, it    was very much a \"this girl believes in fairytales and romance\"    moment, and one that both made her approachable to the middle    school girl demo, and set her apart from the rest of the    country music scene.  <\/p>\n<p>    PHOTO:     Getty Images  <\/p>\n<p>    \"You Belong With Me\" hit in 2008, and    who could forget Swift pulling a Parent Trap and playing both    the girl next door and the villainous popular girl. Truly, this    woman contains multitudesbut the greatest trick of all was    selling the idea that Swift was just an average girl looking    for love. The sparkles got toned down, and while her curls were    still going strong, they started to move into a more styled,    barrel curl look. Spanning from         Fearless      to         Speak Now     , these were the years of her image as    a lovelorn lady out for her Nicholas Sparks story. \"Mine,\"    \"Dear John,\" \"If This Was a Movie,\" \"Better Than Revenge\"there    was drama, but Swift's persona was always squarely on the right    of it, with her curls and lipgloss there to back her up.       <\/p>\n<p>    PHOTO:     Ethan Miller  <\/p>\n<p>    And with         Red      the curls exited stage right, in favor    of her now-trademark red lip and sleek bangs. This was Swift    with more vindication and agency: if you wrong her, you're    gonna get called out. Curls can have agency, but Swift's    transition to a totally smooth style read like she was    tightening her grip on deciding who the world saw. There was    still the romance in her lyricsand what's more romantic than a    red lip?but with     Red's      cover showing her face half in the    shadows, only her lips and a shiny lock of hair in the light,    Swift painted a narrative of a girl who'd been burnt, but was    surviving. The vibe was cardigans and Keds, with red lipstick    and cat eye liner; a little kitschy,     '50s nostalgia-cute     .       <\/p>\n<p>    PHOTO:     Getty  <\/p>\n<p>    Ah, the age of \"Blank Space,\" \"Shake It    Off,\" and \"Bad Blood.\" It was an aggressive time, matched by    Swift's turn to chic, femme fatale looks      without a    single hair out of place. Her red lips went darker, with         1989     's cover      revolving around her fractured, above    the fray self: lips-down on the cover, nose-up on the album    liner, and a faded, Polaroid-from-a-distance aesthetic. Truly,    she hit an insane balance between approachable BFF (I'm just a    girl baking cookies and taking     roadtrips with Karlie Kloss     ) and bombshell    living above the rumors (those now-signature two-piece sets; \"     It had to do with    business \").       <\/p>\n<p>    PHOTO:     Getty Images  <\/p>\n<p>    This 'twas not an era of much new music    for Swift. Her only release was \"I Don't Want to    Live Forever\" with Zayn Malik     for         50 Shades Darker     . But    personally, it was a huge. With an abundance of think pieces    surrounding the Kim\/Kanye fiasco     , at this    point, the world caught on to Swift's immaculate image control.    And so she transformed again.  <\/p>\n<p>    The first signal     came at Coachella     , when she    debuted a new platinum dye job (which came at         Vogue     's persuasion     ). Then at the Met Gala, she channeled    Debbie Harry's punk look with dark lips and a shaggier cut.    This progressed into a few other decidedly less \"safe\" looks,    including this unexpected    rendezvous with    contour and bubblegum pink gloss. That was in May 2016, and as    you know, she's been out of the spotlight pretty much since.    (Her break from the red carpet, of course, was hardly a    vacationduring her     sexual assault trial      earlier this    month she paved the way for anyone fuzzy on consent with     her concrete,    unyielding testimony    .)   <\/p>\n<p>    Everything from here on is speculation,    though we'll surely be seeing plenty of Swift again soon    enough. But what we can gather from her new album cover is that    we're in for the singer's most powerful evolution (both    personally and lyrically) yet. Significantly, the cover is    black and whiteand with headlines covering half Swift's face,    fans are speculating that it implies we've only gotten half the    story.   <\/p>\n<p>    Her makeup is pared down and clean with    the exception of a not just dark but jet-black lip, and her    hair looks wet, which could allude to the concept of rebirth    and renewal. Such can also be said that a     snake represents the    same since it    sheds its skin (and it'd fit with her     clean slate social    media     strategy). The conclusion would be that she's had her persona    (and thus, her style) built a certain way, and now the real her    is coming out. It's not commercial, bubblegum, or high-fashion    approvedbut it's mature and authentic, a look worn with the    confidence of coming into your own.  <\/p>\n<p>    Related    Stories:     -Taylor Swift's New Shag Haircut    Is All Kinds of Cool    -Taylor Swift's 10    Most Powerful Statements From Her Sexual Assault Trial    Cross-Examination     -Katy Perry and    Taylor Swift's Feud: A Timeline  <\/p>\n<p><!-- Auto Generated --><\/p>\n<p>More here:<\/p>\n<p><a target=\"_blank\" rel=\"nofollow\" href=\"https:\/\/www.glamour.com\/story\/taylor-swift-beauty-evolution-eras\" title=\"Taylor Swift's New Album Signals a Dark, Powerful Style She's Never Shown Before - Glamour\">Taylor Swift's New Album Signals a Dark, Powerful Style She's Never Shown Before - Glamour<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p> Taylor Swift is a master of self-invention. It's been said before, but she's a success by design: behind the girl-next-door persona that's so incredibly easy to relate to (yeah! Eff that guy and his precious truck, we'll do better), there's a whole machine of thought that goes into her image. Since she burst onto the scene in 2006, we've lived through multiple incarnations, watching her style evolve at every big turning point in her career.  <a href=\"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/evolution\/taylor-swifts-new-album-signals-a-dark-powerful-style-shes-never-shown-before-glamour.php\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"limit_modified_date":"","last_modified_date":"","_lmt_disableupdate":"","_lmt_disable":"","footnotes":""},"categories":[431596],"tags":[],"class_list":["post-238689","post","type-post","status-publish","format-standard","hentry","category-evolution"],"modified_by":null,"_links":{"self":[{"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/posts\/238689"}],"collection":[{"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/comments?post=238689"}],"version-history":[{"count":0,"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/posts\/238689\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/media?parent=238689"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/categories?post=238689"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/tags?post=238689"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}