Ned, a 39-year-old man who works for a nonprofit, has suffered a series of calamities, from prolonged hospitalization to marital infidelity to rampant alcoholism, and has joined a weekend-long, mostly silent spiritual retreat in the hope that it will help him put himself back together. Hes sitting in a session with a match in his hand. <\/p>\n
The teacher starts to play the recorder, playwright Bess Wohl writes. Ned has no idea what hes supposed to do. Hes slightly worried that hes supposed to set himself on fire. He half raises his hand, wanting to ask another question. The music stops. <\/p>\n
Those are Wohls instructions to Ben Beckley, the actor playing Ned in Long Wharf Theatres upcoming production of Wohls Small Mouth Sounds, which runs Aug. 30 through Sept. 4. The emotion Beckley is supposed to convey is clear enough. But the fun of the play is that Beckley and all seven actors, at several points must convey such emotions mostly without words. <\/p>\n
On the other hand, youd be surprised at how much people communicate without speaking at all, said Christine Scarfuto, Long Wharfs literary manager, who saw Small Mouth Sounds when it ran in New York in 2015. After all, much of our communication with others is nonverbal, as we all know from being in waiting rooms at doctors offices, or elevators, or public transportation when a delay is announced. We get a lot of information about people just by observing their behavior. <\/p>\n
Even though theyre not talking as much, you still get a real feel for who they are, Scarfuto said. <\/p>\n
The idea for the play people seeking some form of spiritual enlightenment or guidance came from Wohls visit to a retreat at the Omega Institute in Rhinebeck, N.Y. The playwright went on this silent retreat with a friend of her without knowing that it was going to be a silent retreat, Scarfuto said. So after her first night she starting looking around and her playwriting brain turned on, and she thought, this is fascinating. <\/p>\n
The retreat was a model for how to write a play in which the characters are almost never allowed to speak. The silence of the play is a wonderful obstacle, Scarfuto said. When you dont have speech, you have to rely on other ways of telling who you are and to connect with other people. And it can be very, very funny, or very sad. <\/p>\n
But that doesnt mean that the actors become mimes, or Carthusian monks. Its super-realistic, actually. Its very natural, Scarfuto said. Its kind of like youre watching in a fish tank and youre seeing what the chemical reactions between the characters are. <\/p>\n
Yeah, you know, people, she added, were pretty funny just as we are. <\/p>\n
But Small Mouth Sounds also gets at some real questions about how people search for meaning in their lives. New Age spirituality can be easy to mock, with its crystals and healing vortexes, a use of language that can sound like Buddhism lite. The hypocrisies embedded in it are easy to point out. <\/p>\n
In a way, though, its also a little too easy, to the point that making fun of it can almost sound self-defensive. Is it really worthy of mockery that people are trying to improve themselves? Is it really better to not try? Its also easy to mock things that sound profound but arent, really. But is it so bad to search for profundity? <\/p>\n
Small Mouth Sounds mines the New Age scene for comedy, but takes its questions and its characters seriously. In the text of the play, before the drama even begins, Wohl gives the actors their characters backstories, which are hilariously written but also underline that these are people with very difficult lives. Some are recovering from terrible situations. Their need for enlightenment, or even just some kind of change, is desperate. <\/p>\n
The stakes are really high for the weekend of the plays action, Scarfuto said. The characters come at the spiritual retreat from very different places. Some are old veterans of the scene. For others, its their first time. But all are coming at it with some kind of intense need for change in their lives, Scarfuto said. And thats a very dramatic idea. <\/p>\n
Rehearsals for Small Mouth Sounds began in New Haven last Tuesday, bringing with it an irony that would be at home in the play itself. <\/p>\n
I actually hear them a lot, Scarfuto said. Youd think for a largely silent play that wouldnt be the case, but theyre right above my office. <\/p>\n
Small Mouth Sounds, by Bess Wohl, runs at Long Wharf Theatre, 222 Sargeant Dr., from Aug. 30 to Sept. 24. For tickets and more information, click here. <\/p>\n
<\/p>\n
Here is the original post:<\/p>\n
Long Wharf Hears The "Sounds" Of Silence | New Haven Independent - New Haven Independent<\/a><\/p>\n","protected":false},"excerpt":{"rendered":" Ned, a 39-year-old man who works for a nonprofit, has suffered a series of calamities, from prolonged hospitalization to marital infidelity to rampant alcoholism, and has joined a weekend-long, mostly silent spiritual retreat in the hope that it will help him put himself back together. Hes sitting in a session with a match in his hand. The teacher starts to play the recorder, playwright Bess Wohl writes Continue reading