Home Theater Broadway: The Great Comet Killed by Political Correctness, Bad Producing and Really... <\/p>\n
The Great Comet aka Natasha, Pierre and the Great Comet of 1812 is closing on September 3rd, the victim of stupidity. It was killed by political correctness, bad producing, and really bad PR. <\/p>\n
I first saw The Great Comet on Gansevoort St. in a tent. It was dinner theater and quite amusing. Then it moved to a tent on West 45th St. When it was finally moved to the Imperial Theater on Broadway, pop star Josh Groban starred as Pierre. The box office was great. He and the show received Tony nominations. <\/p>\n
But Groban could only stay so long. The producers knew this in February when they announced his replacement: a totally unknown actor from Hamilton named Okieriete Oak Onaodowan. Im sure hes very talented, but hes not a star or even a name anyone knows. Why did the producers think replacing Josh Groban with such a person regardless of color or nationality would be a good idea? Beats me. <\/p>\n
If there was some push to get a black Pierre, why not Brian Stokes Mitchell? Norm Lewis? Leslie Odom, Jr? James Monroe Inglehart, from Aladdin? Did no black star want to do it? What about Usher? Jamie Foxx? <\/p>\n
So then came Oak, as he is known. But he is known to few. So the box office literally went off a cliff. Overnight, the show dropped from an average $1 million a week take to around $840,000. The producers realized Oak despite his great talent was not drawing a crowd. The idea came to ask Mandy Patinkin to step in. Even for three weeks, that would get the box office back up and more. <\/p>\n
But political correctness stepped in. Replace a black actor with a white actor? There was an outcry. Patinkin, who would have been a great Pierre, pulled out. It didnt matter that Oak, the black actor, had replaced Groban, a white actor. The whole thing is crazy. This had nothing to do with color. It had to do with saving the show. Theater is color blind. But its not star blind. This show required a name on the Marquee. Maybe Oak could have come back after Patinkin righted the ship. <\/p>\n
But now, with no Mandy, no Oak, no nobody of an color, The Great Comet will close. All those jobs down the drain. And for what? Botched PR. Botched producing. Nobody wins, everyone loses. What a shame. <\/p>\n
Roger Friedman began his Showbiz411 column in April 2009 after 10 years with Fox News. He writes for Parade magazine and has written for Details, Vogue, the New York Times, Post, and Daily News and many other publications. He is the writer and co-producer of \"Only the Strong Survive,\" a selection of the Cannes, Sundance, and Telluride Film festivals. <\/p>\n
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