{"id":221458,"date":"2017-06-20T19:28:45","date_gmt":"2017-06-20T23:28:45","guid":{"rendered":"http:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/uncategorized\/works-by-nwandu-jung-colon-and-more-set-for-ignition-festival-2017-at-victory-gardens-broadway-world.php"},"modified":"2017-06-20T19:28:45","modified_gmt":"2017-06-20T23:28:45","slug":"works-by-nwandu-jung-colon-and-more-set-for-ignition-festival-2017-at-victory-gardens-broadway-world","status":"publish","type":"post","link":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/zeitgeist-movement\/works-by-nwandu-jung-colon-and-more-set-for-ignition-festival-2017-at-victory-gardens-broadway-world.php","title":{"rendered":"Works by Nwandu, Jung, Colon and More Set for IGNITION Festival 2017 at Victory Gardens &#8211; Broadway World"},"content":{"rendered":"<p><p>    Victory Gardens    Theater announces the lineup for the 2017 IGNITION Festival    of New Plays, including Tuvalu, or The Saddest Song by Antoinette Nwandu; This Land    Was Made by Tori Sampson; Spin Moves by Ken Weitzman; Tell Them    I'm Still Young by Julia Doolittle; Wolf Play by Hansol Jung; and Suspension by    Kristiana Rae Coln.  <\/p>\n<p>    The 2017 Festival runs August 4-6, 2017 at Victory Gardens Theater,    located at 2433 N Lincoln Avenue. All readings will be free and    open to the public, though a reservation is encouraged. For    more information or to RSVP, visit <a href=\"http:\/\/www.victorygardens.org\/ignition\" rel=\"nofollow\">http:\/\/www.victorygardens.org\/ignition<\/a> or call the    Victory Gardens Box Office at 773.871.3000.  <\/p>\n<p>    INGITION's six selected plays will be presented in a festival    of readings and will be directed by leading artists from    Chicago. Following the readings, any number of the plays may be    selected for intensive workshops during Victory Gardens    Theater's 2017-18 season, and Victory Gardens may produce    these plays in an upcoming season.  <\/p>\n<p>    \"At Victory Gardens, we bridge Chicago communities through    innovative and challenging new plays by giving playwrights the    time and space to develop their work. We are thrilled to    welcome these six remarkable and unique voices in the American    theater to our IGNITION Festival,\" comments Artistic Director    Chay Yew. \"These playwrights    not only reflects the challenges in our current political    climate, but push us to imagine a greater future.\"  <\/p>\n<p>    \"This year's lineup exemplifies the current political and    cultural zeitgeist of our city and country: a young girl's    journey to self-empowerment, a movement towards a revolution,    the role basketball plays in international peace, how to    recover from the loss of a child, America's role in Korean    adoptions, and the ancestral power of #blackgirlmagic. Come    experience these new plays and hear what they have to say about    the world in which we live,\" remarks Director of New play    Development Isaac Gomez.  <\/p>\n<p>    The 2017 Lineup Includes:  <\/p>\n<p>    Friday, August 4, 2017 at 7:30 p.m.  <\/p>\n<p>    Tuvalu, or The Saddest Song by Antoinette Nwandu  <\/p>\n<p>    It is Los Angeles in the mid-nineties, and Jackie-girl is at a    crossroads. This lyrical and powerful coming of age story with    a soundtrack asks how the girls whose mothers' lives have been    tainted by abuse, violence, poverty and shame ever grow into    healthy and empowered women.  <\/p>\n<p>    About Antoinette    Nwandu  <\/p>\n<p>    Antoinette Nwandu is a    New York-based playwright via Los Angeles. Her play Pass Over    is currently receiving its World Premiere production at    Steppenwolf in June 2017, and her play Breach will receive a    World Premiere at Victory Gardens in February 2018. She is    currently under commission from Echo Theater Company in Los    Angeles. Antoinette's plays have been supported by the Cherry    Lane Mentor Project (mentor: Katori Hall), Kennedy Center,    Page73, Ars Nova, PlayPenn,    Space on Ryder Farm, Southern Rep, The Flea, Naked Angels, Fire This Time, and    The Movement Theater Company. Honors include a spot on the 2016    Kilroys list, the Lorraine Hansberry    Playwriting Award, the Negro Ensemble Company's    Douglas Turner Ward    Prize, and a Literary Fellowship at the Eugene O'Neill    Playwrights Conference. Antoinette is an alum of the Ars Nova Play Group, the Naked Angels Issues PlayLab, and    Dramatists Guild    Fellowship. Additional honors include being named a Ruby Prize    finalist, PONY Fellowship finalist, Page73 Fellowship finalist,    NBT's I Am Soul Fellowship finalist, and two-time Princess    Grace Award semi-finalist. Education: Harvard, The University    of Edinburgh, Tisch School of the Arts.  <\/p>\n<p>    IGNITION Opening Night Kick-Off at 9:30 p.m.  <\/p>\n<p>    Victory Gardens    Theater Lobby  <\/p>\n<p>    Stick around for this opening night celebration with a live DJ,    delicious appetizers, and complimentary drinks as we raise a    glass to kick off our IGNITION Festival of New Plays.  <\/p>\n<p>    Saturday, August 5, 2017 at 3:00 p.m.  <\/p>\n<p>    This Land Was Made by Tori Sampson  <\/p>\n<p>    Oakland in 1967 was a powder keg of social activism about to    boil over into radical action that would soon change how the    whole country engaged in politics. For the patrons of Miss    Trish's Bar, however, these ain't nothing but talking    points-that is, until the full seductive and explosive force of    the revolution walks through the door.  <\/p>\n<p>    About Tori Sampson  <\/p>\n<p>    Tori Sampson is a recent graduate of Yale School of Drama,    where her credits include This Land Was Made, Some Bodies    Travel and If Pretty Hurts Ugly Must be a Muhfucka. Her plays    have been developed at Great Plains National Theater Conference    and Berkeley Repertory Theater's The Ground Floor residency    program. She holds an Honorable Mention from the 2016    Relentless Award, is the Kennedy Center's 2016 Paula Vogel Playwright and    second-place Lorraine    Hansberry recipient. She is a 2017 finalist for the    Alliance Theater's Kendeda Prize. Tori's other plays include,    Cadillac Crew, Black Girl Nerd and Cottoned Like Candy. Her    short play, She's our President, will be produced by Baltimore    Center Stage as part of the My America: She commission. Tori is    currently working on a commission from Berkeley Repertory    Theater and will spend the next year as a Jerome Fellow at The    Playwrights' Center in Minneapolis. A native of Boston,    Massachusetts, she holds a B.S. in sociology from Ball State    University in Muncie, IN.  <\/p>\n<p>    Bringing New Plays To Life at 5:00 p.m.  <\/p>\n<p>    Panel Conversation  <\/p>\n<p>    Richard Christiansen Theater  <\/p>\n<p>    Victory Gardens is home to some of the richest and boldest new    plays premiering across the country. In a city where audiences    are hungry for new theatre work, what is the current state of    new play development and its future? What are the best    practices for new play collaborations? Join this timeless    conversation on the new play process featuring IGNITION    playwrights Antoinette    Nwandu, Tori Sampson, Ken Weitzman, Julia Doolittle,    Hansol Jung, and Kristiana    Rae Coln.  <\/p>\n<p>    Saturday, August 5, 2017 at 7:30 p.m.  <\/p>\n<p>    Spin Moves by Ken Weitzman  <\/p>\n<p>    It's 1996, the inaugural year of the WNBA, and Maja dreams of    playing high school basketball - but having escaped to the U.S.    from the war in Bosnia, panic attacks prevent her from playing    the game she loves. That is, until a new coach appears at her    high school. He helps Maja to face her fears, but his    unorthodox tactics alarm Maja's fiercely protective mother.  <\/p>\n<p>    About Ken Weitzman  <\/p>\n<p>    Ken Weitzman's most recent play, Halftime with Don is in the    midst of a 2017 National New Play Network Rolling World    Premiere. Ken's previous productions include, among others, The    Catch (The Denver Center Theatre Company), Fire in the Garden    (Indiana Repertory    Theatre), The As If Body Loop (Humana Festival),    Arrangements (Atlantic Theatre    Company). His devised work includes, Memorabilia (ALLIANCE THEATRE), Hominid (Out    of Hand Theatre\/Theatre Emory\/Oerol Festival Netherlands), and    Stadium 360 (Out of Hand Theatre). Plays-in-progress include    Spin Moves (New Harmony Project) and seal boy (Keen Company Playwrights Lab, The    Lark's Meeting of the Minds, (Playwrights' Center of    Minneapolis). National Awards include The L. Arnold Weissberger Award for    Playwriting for Arrangements, TCG Edgerton Foundation New    American Play Award for The Catch, the Fratti\/Newman Political    Play Contest Award for Fire in the Garden, and South Coast Repertory's    Elizabeth George Commission for an Outstanding Emerging    Playwright Organizations who have commissioned Ken's work    include the San Francisco Museum of Modern Art, Arena Stage, the ALLIANCE THEATRE, Actors    Theatre of Louisville, Theatre Emory, Out of Hand Theatre, and    South Coast    Repertory Theatre. Ken is a Core Writer at the Playwrights    Center of Minneapolis, and a former board member of The New    Harmony Project. Ken received his MFA from University of    California, San Diego and has taught at UCSD, Emory University,    Indiana University (head of MFA in Playwriting) and, currently,    at Stony Brook University.  <\/p>\n<p>    Artist Meet, Greet, & Ice Cream Social at 9:30    p.m.  <\/p>\n<p>    Victory Gardens    Theater Lobby  <\/p>\n<p>    Hang out with the playwrights and artists while cooling off    with boozy ice cream floats at this post-show artist meet &    greet.  <\/p>\n<p>    Sunday, August 6, 2017 at 12:00 p.m.  <\/p>\n<p>    Tell Them I'm Still Young by Julia Doolittle  <\/p>\n<p>    Allen and Kay are approaching sixty-five when their only    daughter is killed in a car crash. Now parents without    children, the two struggle to renegotiate their identities and    their marriage, as the entrance of two young people revives a    painful longing for what's been lost: their family and their    futures.  <\/p>\n<p>    About Julia Doolittle  <\/p>\n<p>    Julia Doolittle is a Brooklyn-based playwright and screenwriter    whose work has been developed at the Williamstown Theatre    Festival, Rattlestick Playwright's Theatre, The Tank, Tiny    Rhino, The Women's Project, Ensemble Studio Theatre, Urban Stages, and    Rogue Machine Theatre. She is a 2016 recipient of the Elizabeth    George Commission from South Coast Rep. Upcoming, the Samuel    French Off-Off-Broadway Play Festival.  <\/p>\n<p>    Sunday, August 6, 2017 at 3:00 p.m.  <\/p>\n<p>    Wolf Play by Hansol    Jung  <\/p>\n<p>    An American father un-adopts a Korean boy but just before he    leaves the new house, the ex-father finds out that the new    couple to whom he has \"re-homed\" his ex-son, is lesbian. This    doesn't sit well with ex-father at all. The boy is actually not    a real boy. He is a puppet. And his puppeteer is the Emcee of    the evening, and spinner of the night's tale: a lone wolf.  <\/p>\n<p>    About Hansol Jung  <\/p>\n<p>    Hansol Jung is a playwright    and director from South Korea. Productions include Cardboard    Piano (Humana Festival at Actors Theater of Louisville), Among    the Dead (Ma-Yi Theatre Company), and No More Sad Things    (co-world premiere at Sideshow Theatre, and Boise Contemporary    Theatre). Commissions from Playwrights Horizons,    Seattle Repertory Theatre, Artists    Repertory Theater, the Virginia B. Toulmin Foundation grant    with Ma-Yi Theatre and a translation of Romeo and Juliet for    Play On! at Oregon Shakespeare Festival. Her work has been    developed at The Public    Theater, Royal Court, New York Theatre Workshop, Berkeley    Repertory's Ground Floor, Sundance Theatre Lab, O'Neill    Theater Center's New Play Conference, Lark Play Development    Center, Salt Lake Acting Company, Boston Court Theatre,    Bushwick Starr, Ma-Yi    Theater Company, Asia Society New York, and Seven Devils    Playwright Conference. She is the recipient of the Page 73    Playwright Fellowship, Rita Goldberg Playwrights' Workshop    Fellowship at the Lark, 2050 Fellowship at New York Theater Workshop,    MacDowell Colony Artist Residency, and International    Playwrights Residency at Royal Court. She has translated over    thirty English musicals into Korean, including Evita, Dracula,    Spamalot, and The 25th Annual Putnam County Spelling Bee, while    working on several award winning musical theatre productions as    director, lyricist and translator in Seoul, South Korea. Hansol    holds a Playwriting MFA from Yale School of Drama, and is a    member of the Ma-Yi Theatre Writers Lab.  <\/p>\n<p>    The Race Race at 5:00 p.m.  <\/p>\n<p>    Panel Conversation  <\/p>\n<p>    Richard Christiansen Theater  <\/p>\n<p>    In a country so divided and polarized by topics of race, how    are these conflicts reflected in the dramatic arts? What role    does theater play in conversations around race and how can it    begin the process of healing and understanding? Join IGNITION    and Chicago-based playwrights as we begin to uncover the role    race plays in creating new work.  <\/p>\n<p>    Sunday, August 6, 2017 at 7:30 p.m.  <\/p>\n<p>    Suspension by Kristiana Rae Coln  <\/p>\n<p>    On the 100th day of 45's first term, two Black teen girls stage    a coup of the authoritarian regime of Climb & Succeed    Charter Academy, a not-so-dystopian high school where campus    security patrols the halls in riot gear and a new disciplinary    code takes in-school suspension to a haunting extreme. Voltaire    & Yansa, guided by a mystic teaching artist, learn to wield    their ancestral magic and blackgirl badassery to combat the    harrowing militarization of public education.  <\/p>\n<p>    About Kristiana Rae Coln  <\/p>\n<p>    Kristiana Rae Coln is a poet, playwright, actor, educator,    Cave Canem Fellow, creator of #BlackSexMatters and co-director    of the #LetUsBreathe Collective. She was awarded 2017 Best    Black Playwright by The Black Mall. In 2016, her play Good    Friday had its world premiere at Oracle Productions, Octagon    its American premiere at Jackalope Theater in Chicago, and but    i cd only whisper had its American premiere at The Flea in New    York. Octagon was the winner of Arizona Theater Company's 2014    National Latino Playwriting Award and Polarity Ensemble    Theater's Dionysos Festival of New Work, and had its 2015 world    premiere at the Arcola Theater in London. In 2013, she toured    the UK for two months with her collection of poems Promised    Instruments, winner of the inaugural Drinking Gourd Poetry    Prize and published by Northwestern University    Press. Kristiana is an alum of the Goodman Theater's Playwrights Unit where she    developed florissant & canfield, an epic reimagining of the    Ferguson protests, which was featured in the 2016 Hedgebrook    Women Playwrights Festival. She is a resident playwright at    Chicago Dramatists    and one half of the brother\/sister hip-hop duo April Fools. She    appeared on the fifth season of HBO's Def Poetry Jam.    Kristiana's writing, producing, and organizing work to    radically reimagine power structures, our complicity in them,    and visions for liberation.  <\/p>\n<p>    The IGNITION Festival of New Plays receives major support from    The Joyce Foundation, The Harold and Mimi Steinberg Charitable    Trust, Southwest Airlines-Victory Garden Theater's official    travel sponsor, and Suite Home Chicago-Victory Gardens    Theater's Housing Sponsor for the 2017 IGNITION Festival.  <\/p>\n<p>    Performances are at the Victory Gardens Biograph Theater, 2433    N. Lincoln Avenue, in the heart of Chicago's Lincoln Park    neighborhood. Admission to all festival readings and events is    free, though an RSVP is required. For more information or to    RSVP, visit <a href=\"http:\/\/www.victorygardens.org\/ignition\" rel=\"nofollow\">http:\/\/www.victorygardens.org\/ignition<\/a> or call the    Victory Gardens Box Office at 773.871.3000.  <\/p>\n<p>    Under the leadership of Artistic Director Chay Yew and Managing Director Erica Daniels, Victory Gardens is    dedicated to artistic excellence while creating a vital,    contemporary American Theater that is accessible and relevant    to all people through productions of challenging new plays and    musicals. Victory    Gardens Theater is committed to the development, production    and support of new plays that has been the mission of the    theater since its founding, set forth by Dennis Za?ek, Marcelle McVay, and the original    founders of Victory    Gardens Theater.  <\/p>\n<p>    Victory Gardens    Theater is a leader in developing and producing new theater    work and cultivating an inclusive Chicago theater community.    Victory Gardens' core strengths are nurturing and producing    dynamic and inspiring new plays, reflecting the diversity of    our city's and nation's culture through engaging diverse    communities, and in partnership with Chicago Public Schools,    bringing art and culture to our city's active student    population.  <\/p>\n<p>    Since its founding in 1974, the company has produced more world    premieres than any other Chicago theater, a commitment    recognized nationally when Victory Gardens received the 2001    Tony Award for Outstanding Regional Theatre. Located in the    Lincoln Park neighborhood, Victory Gardens Biograph Theater    includes the Za?ek-McVay Theater, a state-of-the-art 259-seat    mainstage and the 109-seat studio theater on the second floor,    named the Richard Christiansen Theater.  <\/p>\n<p>    Victory Gardens Ensemble Playwrights include Luis Alfaro, Philip Dawkins, Marcus Gardley, Ike Holter, Samuel D. Hunter, Naomi Iizuka, Tanya Saracho and Laura    Schellhardt. Each playwright has a seven-year residency at    Victory Gardens    Theater.  <\/p>\n<p>    For more information about Victory Gardens, visit <a href=\"http:\/\/www.victorygardens.org\" rel=\"nofollow\">http:\/\/www.victorygardens.org<\/a>. Follow us on Facebook at    Facebook.com\/victorygardens, Twitter    @VictoryGardens and Instagram at instagram.com\/victorygardenstheater.  <\/p>\n<p><!-- Auto Generated --><\/p>\n<p>Here is the original post: <\/p>\n<p><a target=\"_blank\" rel=\"nofollow\" href=\"http:\/\/www.broadwayworld.com\/chicago\/article\/Works-by-Nwandu-Jung-Colon-and-More-Set-for-IGNITION-Festival-2017-at-Victory-Gardens-20170620\" title=\"Works by Nwandu, Jung, Colon and More Set for IGNITION Festival 2017 at Victory Gardens - Broadway World\">Works by Nwandu, Jung, Colon and More Set for IGNITION Festival 2017 at Victory Gardens - Broadway World<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p> Victory Gardens Theater announces the lineup for the 2017 IGNITION Festival of New Plays, including Tuvalu, or The Saddest Song by Antoinette Nwandu; This Land Was Made by Tori Sampson; Spin Moves by Ken Weitzman; Tell Them I'm Still Young by Julia Doolittle; Wolf Play by Hansol Jung; and Suspension by Kristiana Rae Coln. The 2017 Festival runs August 4-6, 2017 at Victory Gardens Theater, located at 2433 N Lincoln Avenue.  <a href=\"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/zeitgeist-movement\/works-by-nwandu-jung-colon-and-more-set-for-ignition-festival-2017-at-victory-gardens-broadway-world.php\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"limit_modified_date":"","last_modified_date":"","_lmt_disableupdate":"","_lmt_disable":"","footnotes":""},"categories":[431584],"tags":[],"class_list":["post-221458","post","type-post","status-publish","format-standard","hentry","category-zeitgeist-movement"],"modified_by":null,"_links":{"self":[{"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/posts\/221458"}],"collection":[{"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/comments?post=221458"}],"version-history":[{"count":0,"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/posts\/221458\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/media?parent=221458"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/categories?post=221458"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/tags?post=221458"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}