{"id":221226,"date":"2017-06-20T00:44:28","date_gmt":"2017-06-20T04:44:28","guid":{"rendered":"http:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/uncategorized\/brace-for-fun-in-source-festivals-new-plays-washington-post.php"},"modified":"2017-06-20T00:44:28","modified_gmt":"2017-06-20T04:44:28","slug":"brace-for-fun-in-source-festivals-new-plays-washington-post","status":"publish","type":"post","link":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/new-utopia\/brace-for-fun-in-source-festivals-new-plays-washington-post.php","title":{"rendered":"Brace for fun in Source Festival&#8217;s new plays &#8211; Washington Post"},"content":{"rendered":"<p><p>    By Celia Wren By    Celia Wren    June 19 at 1:05 PM  <\/p>\n<p>    Roller coasters are my favorite! a character exclaims as he    sits onboard a climbing, plunging amusement-park ride in This    Is the Big One, a 10-minute drama featured in this years    Source Festival. The remark may strike a chord with hearers:    After all, a festival that focuses on new works can be like a    roller coaster, with abrupt, vertiginous ups and downs. People    who attend such events may have a tolerance for variability.  <\/p>\n<p>    But dependable attractions are much in evidence at this years    Source Festival, running through July 2. To start with, in    honor of the festivals 10th year, the lineup includes a new    production of Topher Paynes Perfect Arrangement. After    debuting at the Source Festival in 2013, the play went on to    national success, including a major award and an off-Broadway    run.  <\/p>\n<p>    Set in a Georgetown duplex in 1950, Perfect Arrangement tells    of two gay couples who have worked out marriages of convenience    with each other so as to pass as straight. Bob and Millie    Martindale (Jon Reynolds and Danielle Scott) appear to be the    next-door neighbors of Jim and Norma Baxter (Jack Novak and    Mary Myers). In fact, Bob and Jim are partners, as are Millie    and Norma. The masquerade allows the four to maintain a    comfortable private domesticity  until the State Department,    where Bob and Norma work, embarks on a purge of suspected    homosexuals. (The play is based on the real events of the    Lavender Scare.)  <\/p>\n<p>    On opening night this month, director Nick Martins production    displayed a few moments of hesitation and stiffness, suggesting    that the actors were still acclimatizing to their roles. Still,    the action clipped along at a pleasantly brisk pace, honoring    both the plays bubbly comedy and its serious themes. In a fun    touch, every now and then a stretch of dialogue, or a stage    picture, would archly echo 1950s sitcoms and advertisements.  <\/p>\n<p>    Scott and Myers are particularly persuasive as the ebullient    but canny Millie and the wearier, more cynical Norma. In a    smaller role, Toni Rae Salmi displays ace comic timing as    Barbara Grant, a State Department translator who knows her own    mind. Jessica Cancino designed the set, a bright, decorous    1950s living room  an ideal spot for serving cocktails and    canaps.  <\/p>\n<p>    Perfect Arrangement isnt the only festival offering to    reprise the tried-and-true. Of the two 10-minute play    showcases, one revives some of the best short scripts from the    past decade. I caught the other showcase: an enjoyable group of    six playlets with the umbrella title Covert Catalyst.    Highlights include This Is the Big One, Chelsea Marcantels    artful portrait of six people who experience a roller coaster    in drastically different ways. (Kevin Boudreau plays the    aforementioned fan.)  <\/p>\n<p>    Also delightful is local playwright John Bavosos Threat    Level: Cream, a droll and twisty tale of two Washingtonians    (Chloe Mikala and Jonathan M. Rizzardi) who encounter a    suspicious gallon of milk on the Metro.  <\/p>\n<p>    A couple of the Covert Catalyst pieces are slyly political.    For instance, in Lori Fischers bold, surreal Gotta Gethere    Whatever Itakes Versus Mr. Chaos, two people (Zoe Walpole and    Carol Spring) are so shocked by an election that they embark on    a nonstop jumping routine, essentially aiming to bounce their    way to utopia.  <\/p>\n<p>    The festival also includes two artistic blind dates,    collaborations between artists of different disciplines. This    reviewer cannot attest to the quality of the readings or blind    dates. But bracing for the ride can be part of the fun.  <\/p>\n<p>    Source Festival Through July 2 at Source, 1835 14th St.    NW. Tickets: $15-$32. Call 866-811-4111 or visit sourcefestival.org.  <\/p>\n<p><!-- Auto Generated --><\/p>\n<p>Read this article: <\/p>\n<p><a target=\"_blank\" rel=\"nofollow\" href=\"https:\/\/www.washingtonpost.com\/entertainment\/theater_dance\/brace-for-fun-in-source-festivals-new-plays\/2017\/06\/19\/6f842594-52a3-11e7-b74e-0d2785d3083d_story.html\" title=\"Brace for fun in Source Festival's new plays - Washington Post\">Brace for fun in Source Festival's new plays - Washington Post<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p> By Celia Wren By Celia Wren June 19 at 1:05 PM Roller coasters are my favorite! a character exclaims as he sits onboard a climbing, plunging amusement-park ride in This Is the Big One, a 10-minute drama featured in this years Source Festival.  <a href=\"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/new-utopia\/brace-for-fun-in-source-festivals-new-plays-washington-post.php\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"limit_modified_date":"","last_modified_date":"","_lmt_disableupdate":"","_lmt_disable":"","footnotes":""},"categories":[431660],"tags":[],"class_list":["post-221226","post","type-post","status-publish","format-standard","hentry","category-new-utopia"],"modified_by":null,"_links":{"self":[{"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/posts\/221226"}],"collection":[{"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/comments?post=221226"}],"version-history":[{"count":0,"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/posts\/221226\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/media?parent=221226"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/categories?post=221226"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/tags?post=221226"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}