{"id":216815,"date":"2017-06-06T17:17:50","date_gmt":"2017-06-06T21:17:50","guid":{"rendered":"http:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/uncategorized\/to-circumvent-censorship-theater-project-launches-series-of-shared-short-plays-on-palestine-mondoweiss.php"},"modified":"2017-06-06T17:17:50","modified_gmt":"2017-06-06T21:17:50","slug":"to-circumvent-censorship-theater-project-launches-series-of-shared-short-plays-on-palestine-mondoweiss","status":"publish","type":"post","link":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/censorship\/to-circumvent-censorship-theater-project-launches-series-of-shared-short-plays-on-palestine-mondoweiss.php","title":{"rendered":"&#8216;To circumvent censorship,&#8217; theater project launches series of shared short plays on Palestine &#8211; Mondoweiss"},"content":{"rendered":"<p><p>  Ismail Khalidi (l) and David Zellnik at the NY launch of Break  the Wall theater project, June 5, 2017, photo by Phil Weiss<\/p>\n<p>    Heres some joyous news that seems very much in the spirit of    the week the recognition of the 50th anniversary of the    permanent Israeli occupation.  <\/p>\n<p>    Last night the playwrights David Zellnik and Ismail Khalidi announced    the launch of a theater project to create and produce works    that challenge the dominant cultural narrative about Palestine.    They did so in the Lark, a theater space on 42nd Street in New    York, to an ebullient standing-room crowd of about 100 people.    Ten of the short works were performed to spirited celebration;    and the message of the evening was entirely positive: We are    being shut out of the mainstream and we will take matters in    hand, and we will be heard.  <\/p>\n<p>    The playwrights said in a joint statement at the start:  <\/p>\n<p>      We had both written plays about Israel and Palestine that      were deemed too political, biased, leftwing, angry, anti      Israel, and even anti-Semitic.Artistic directors said      they would lose half their boards if they produced our shows      and to be fair they probably would.    <\/p>\n<p>    So inspired by the content and dissemination of Caryl    Churchills great play, Seven    Jewish Children, which she has shared with the world    post-Gaza  <\/p>\n<p>      We decided to take matters into our own hands, to circumvent      censorship.    <\/p>\n<p>    Here is the website for Break the Wall,    with 13 plays so far, to be performed anywhere by anyone, in    classrooms, in theaters and on the streets. Khalidi and    Zellnik hope to have 25 by the end of the year, and another 25    by the end of the Nakba anniversary year, next year. They have    simple requirements:  <\/p>\n<p>      To address the issue of Palestine Israel in such a way that      illuminates the actual power balance of the conflict and      avoids the mainstream medias search for balance.      togive witness and urgency to the ongoing human rights      disaster of the occupation and apartheid.    <\/p>\n<p>    And they ask that the plays be inspired\/linked to an actual    event.  <\/p>\n<p>    A handful of skilled diverse players (Id name a couple but    that would be unfair to the others) then presented ten of the    works, humorous, lacerating, experimental, and yes, too,    uplifting. Israeli soldiers peopled the stage, so did    Palestinian mothers and, silently, Hitler. The American    attitude of progressive-except-Palestine was lampooned.    Happily, the writers Naomi Wallace, Noelle Ghoussaini, Betty    Shemiah, Laura Maria Censabella, Kia Corthron, Stan Richardson,    Yussef El Guindi, and Khalidi and Zellnik, too, would all    rather laugh and observe than preach.  <\/p>\n<p>    The mood was one of a page being turned: that the 50th    anniversary of occupation has given strength and undeniability    to the leftwing criticism of the occupation. An audience of    consciously political people is demanding that the matter be    addressed by American culture; and we are sure to influence the    mainstream.  <\/p>\n<p>    The program last night included a fine statement by Alisa    Solomon addressing the transformative power of the works:  <\/p>\n<p>      The political suspension of disbelief that governs so much of      US discourse on Israel and Palestine has sought for decades      to make the occupation invisible and the Nakba unutterable.      For nearly 40 years, plays that have dared to tell      Palestinian stories or challenge standard Zionist narratives      have been shut out of major venues and sometimes silenced      altogether, from Joe Papp reneging on a plan to present El      Hakawati at the Public Theater in the late 1980s to the      panicked backing away from the play My Name Is Rachel Corrie      at New York Theatre Workshop some 10 years ago (a reaction      from which the theater admirably learned and made amends).    <\/p>\n<p>      Break the Wall seizes on theaters rare power in myriad      forms, from street plays to family dramas, abstract      experiments, raucous comedies, you name it to ignite radical      empathy, to shake us out of complacencies, to kindle our      political commitment and creativity. Its not just a good      idea. Its a necessary one.    <\/p>\n<p><!-- Auto Generated --><\/p>\n<p>Continue reading here: <\/p>\n<p><a target=\"_blank\" rel=\"nofollow\" href=\"http:\/\/mondoweiss.net\/2017\/06\/circumvent-censorship-palestine\/\" title=\"'To circumvent censorship,' theater project launches series of shared short plays on Palestine - Mondoweiss\">'To circumvent censorship,' theater project launches series of shared short plays on Palestine - Mondoweiss<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p> Ismail Khalidi (l) and David Zellnik at the NY launch of Break the Wall theater project, June 5, 2017, photo by Phil Weiss Heres some joyous news that seems very much in the spirit of the week the recognition of the 50th anniversary of the permanent Israeli occupation. Last night the playwrights David Zellnik and Ismail Khalidi announced the launch of a theater project to create and produce works that challenge the dominant cultural narrative about Palestine.  <a href=\"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/censorship\/to-circumvent-censorship-theater-project-launches-series-of-shared-short-plays-on-palestine-mondoweiss.php\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"limit_modified_date":"","last_modified_date":"","_lmt_disableupdate":"","_lmt_disable":"","footnotes":""},"categories":[388393],"tags":[],"class_list":["post-216815","post","type-post","status-publish","format-standard","hentry","category-censorship"],"modified_by":null,"_links":{"self":[{"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/posts\/216815"}],"collection":[{"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/comments?post=216815"}],"version-history":[{"count":0,"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/posts\/216815\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/media?parent=216815"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/categories?post=216815"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/tags?post=216815"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}