When one discusses the midcentury-modern architecture of Palm Springs, its best to be specific. On the one hand, there are those archetypes of classic California modernismperhaps best exemplified by Richard Neutras famed Kaufmann Housethat echo the language of the International Style, all glass and steel and elegant rationalism. But then theres another, more playful school of modernism, one that embraced historicist elements, purely theatrical effects, and no small portion of camp to conjure a suitably sybaritic mise-en-scne for the leisure class at play. To the surprise of absolutely no one familiar with interior designer Martyn Lawrence Bullard or his sumptuous settings, the effervescent British expat selected a prime example of the latter for his own Palm Springs hideaway. <\/p>\n
Bullard and his partner, property developer Michael Green, soak up the sunshine in a 1963 house by James McNaughton, a Hollywood set designer who found the ultimate canvas for his flights of fancy in the desert sands of the Coachella Valley. With an arched exterior canopy that segues into interior colonnades, the structure looks a bit like an early maquette for Wallace K. Harrisons Metropolitan Opera House at Lincoln Center. The analogy is apt, given the unapologetic drama of the design, which is centered on a semicircular living room that is completed in a bowfront wall of glass overlooking the swimming pool and a black-banded terrazzo floor that was originally intended for dancing. <\/p>\n
Its all a bit mad but divine, Bullard says of the house. Hugh Hefner supposedly owned it in the 70s, then Roger Moore, who had it tricked out in fabulous James Bond finery. This place was built for relaxation and fun, so we use it in that spirit. <\/p>\n
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Bullard largely preserved McNaughtons floor plan, restoring sections of the home that had been altered over the years. To make the place more accommodating for visitors, he converted a pool cabana and what had been a lavish dressing room into additional guest quarters. Bullard also transformed an erstwhile library into a seriously plush screening room bathed in emerald-green lacquer and furnished with topographical de Sede Terrazza sofas covered in Ultrasuede. <\/p>\n
During the holidays, we hole up there with our dog, Daisy, a bunch of screeners, and a lot of candy, the designer says. (For those unfamiliar with Hollywoods mysterious customs, screeners are copies of the latest movies that are distributed by the studios to industry bigwigs and apparatchiks at the end of every year, in advance of awards season.) <\/p>\n
Bullard describes his interior appointments as a mix of swinging 60s with a touch of disco 70s. In specific terms, that vision translates into a roster of stellar furnishings by Vladimir Kagan, Willy Rizzo, Paul Evans, Milo Baughman, Angelo Mangiarotti, Karl Springer, and Charles Hollis Jones, among other avatars of groovy modern furniture. There are also more idiosyncratic pieces, like the Pierre Cardin stools at the bar and the living rooms vast zebra-skin rug (a gift from model Cheryl Tiegs, it once graced Andy Warhols Factory). <\/p>\n
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Martyn Lawrence Bullard's Sumptuous Palm Springs Hideaway - Architectural Digest<\/a><\/p>\n","protected":false},"excerpt":{"rendered":" When one discusses the midcentury-modern architecture of Palm Springs, its best to be specific. On the one hand, there are those archetypes of classic California modernismperhaps best exemplified by Richard Neutras famed Kaufmann Housethat echo the language of the International Style, all glass and steel and elegant rationalism Continue reading