{"id":209956,"date":"2017-02-21T07:59:36","date_gmt":"2017-02-21T12:59:36","guid":{"rendered":"http:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/uncategorized\/utopia-opera-presents-the-grand-duke-33-311-broadway-world.php"},"modified":"2017-02-21T07:59:36","modified_gmt":"2017-02-21T12:59:36","slug":"utopia-opera-presents-the-grand-duke-33-311-broadway-world","status":"publish","type":"post","link":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/new-utopia\/utopia-opera-presents-the-grand-duke-33-311-broadway-world.php","title":{"rendered":"Utopia Opera Presents THE GRAND DUKE, 3\/3-3\/11 &#8211; Broadway World"},"content":{"rendered":"<p><p>    On March 3, 4, 10,    & 11 at 7:30pm,, Utopia Opera presents THE GRAND    DUKE (words by W.S.    Gilbert, music by Arthur    Sullivan) in a fully-staged production performed with an    20-piece orchestra at the Ida K. Lang Recital Hall at Hunter    College (695 Park Avenue). Utopia founder and artistic    director, and Gilbert & Sullivan specialist, William    Remmers, stage and music directs.  <\/p>\n<p>    THE GRAND DUKE, the rarely-performed final    Gilbert & Sullivan collaboration, features a discontented    troupe of actors-come-revolutionaries planning a coup d'tat to    replace their despotic leader with their theatre's manager.    He's the most qualified man for the job because 1) he already    knows how to run a business (and surely that's the    same thing) and 2) because he has agreed to give his troupe the    highest positions in his court in exchange for their support.    The modern relevance should be self-apparent. Along the way, we    see two duels, one ghost, four weddings (all with the same    groom), a rigged roulette table, and bottles upon bottles of    free wine. \"It pulls out all the stops,\" says director William    Remmers. \"It's a show about performance, in theatre and in    life, and it takes this theme to those two opposite ends: On    one hand, given that most of the characters are actors, the    jokes are faster, funnier, more stylized, and more dependent on    the manipulation of language than in Gilbert's earlier work;    the political satire is still bitingly relevant, but the soul    of the show's humor lies in vaudeville routines and Wildean    displays of repartee, all too believable coming out of the    mouths of these thespians. On the other hand, the philosophical    implications of subscribing to your role and    committing to your part pose dark questions: must we    always stick to the script that life has given us,    even when we know it will have negative effects on the lives of    others? The show's adventurous duality is matched, or perhaps    even exceeded, by Sullivan's music. The score features late    romantic harmonies, Viennese waltzes, French chanson, and    comedy numbers that anticipate, with telescopic clairvoyance,    the advent of modern musical theatre. It's pure fin de sicle    decadence and a both a fitting send-off to the greatest musical    Theatre Partnership of    the 19th century and a sign of things to come in the    20th.\"  <\/p>\n<p>    About Utopia Opera  <\/p>\n<p>    Utopia Opera was founded in 2011 by artistic and    musical director William Remmers. Striving to present the most    entertaining operatic performances possible (for audiences and    performers alike) while also maintaining a high standard of    musical integrity, Utopia Opera is quickly establishing itself    as a young and vibrant addition to New York City's vast    operatic landscape, and was recently featured with two other    indie companies on the cover of the August 2016 issue of Opera News.  <\/p>\n<p>    In addition to providing young singers with    performance opportunities, Utopia aims to share opera with a    general audience and to reveal its modern relevance. A central    part of that mission is realized through giving its audience    and performers a stake in the direction of the company. Now in    its sixth season, the company's past four seasons were chosen    through votes cast on its Facebook page. Their 6th season began    in September with Sondheim's ASSASSINS, which received    more votes than any show in the company's history, and will    conclude with Moore's The Ballad of Baby Doe and    Tchaikovsky's Eugene Onegin. The seventh season vote    is currently active on Utopia's Facebook page.  <\/p>\n<p>    Tickets ($20 for general admission) are available    online (with card) and at the door (card\/check\/cash). Tickets    are available online at: TheGrandDuke.brownpapertickets.com  <\/p>\n<p>    For press tickets, please contact <a href=\"mailto:info@utopiaopera.org\">info@utopiaopera.org<\/a>  <\/p>\n<p>    CAST  <\/p>\n<p>    Ludwig: Ben    Cohen    Lisa: Kat Liu    Julia: Hannah Spierman    Ernest: Matthew Hughes    Dr. Tannhuser: Kevin    miller    Grand Duke Rudolph: Martin Everall    Baroness von Krakenfeldt: Hanne Dollase    The Prince of Monte Carlo:    David Tillistrand    The Princess of Monte Carlo:    Allyson Herman    The Herald: Evan Henke    The Costumier: Gary    Slavin    Gretchen: Ali Roselle    Elsa: Emily Hughes    Bertha: Nicholle Bittlingmeyer    Olga: Catherine Leech    A Hildebrand Noble: Ben Spierman    A Windsor Noble: Roman Laba    A German Noble: Matthew    Walsh    A D.C. Noble: Johari Frasier    An Italian Noble: Eric    Lamp    An Aesthetic Noble: Sarah Marvel Bleasdale  <\/p>\n<p><!-- Auto Generated --><\/p>\n<p>Continued here: <\/p>\n<p><a target=\"_blank\" rel=\"nofollow\" href=\"http:\/\/www.broadwayworld.com\/bwwopera\/article\/Utopia-Opera-Presents-THE-GRAND-DUKE-33-311-20170221\" title=\"Utopia Opera Presents THE GRAND DUKE, 3\/3-3\/11 - Broadway World\">Utopia Opera Presents THE GRAND DUKE, 3\/3-3\/11 - Broadway World<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p> On March 3, 4, 10, &#038; 11 at 7:30pm,, Utopia Opera presents THE GRAND DUKE (words by W.S. Gilbert, music by Arthur Sullivan) in a fully-staged production performed with an 20-piece orchestra at the Ida K. Lang Recital Hall at Hunter College (695 Park Avenue) <a href=\"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/new-utopia\/utopia-opera-presents-the-grand-duke-33-311-broadway-world.php\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"limit_modified_date":"","last_modified_date":"","_lmt_disableupdate":"","_lmt_disable":"","footnotes":""},"categories":[431660],"tags":[],"class_list":["post-209956","post","type-post","status-publish","format-standard","hentry","category-new-utopia"],"modified_by":null,"_links":{"self":[{"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/posts\/209956"}],"collection":[{"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/comments?post=209956"}],"version-history":[{"count":0,"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/posts\/209956\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/media?parent=209956"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/categories?post=209956"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/tags?post=209956"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}