{"id":209442,"date":"2017-02-20T01:27:40","date_gmt":"2017-02-20T06:27:40","guid":{"rendered":"http:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/uncategorized\/these-are-the-breaks-inside-vh1s-grounded-new-hip-hop-series-screener.php"},"modified":"2017-02-20T01:27:40","modified_gmt":"2017-02-20T06:27:40","slug":"these-are-the-breaks-inside-vh1s-grounded-new-hip-hop-series-screener","status":"publish","type":"post","link":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/zeitgeist-movement\/these-are-the-breaks-inside-vh1s-grounded-new-hip-hop-series-screener.php","title":{"rendered":"These are &#8216;The Breaks&#8217;: Inside VH1&#8217;s &#8216;grounded&#8217; new hip-hop series &#8230; &#8211; Screener"},"content":{"rendered":"<p><p>    Between shows like Empire, Star and The Get Down, its    pretty safe to say hip-hops been enjoying a television    renaissance for a while now. And with Mondays (Feb. 20) series    premiere of The Breaks onVH1, we have a feeling were    only at the beginning of an untapped world of story    possibilities.  <\/p>\n<p>    The series  starring Wood Harris, Mack Wilds, Afton Williamson    and David Call  continues where the film left off: Not only    diving further into hip-hops business beginnings, but    exploring the bond between Nikki (Williamson),    DeeVee(Wilds) and David (Call) as they pursue their music    dreams.  <\/p>\n<p>    While there will seemingly be drama aplenty, the series will    continue adhering to Dan Charnas highly acclaimed book,    The Big Payback: The    History of the Business of Hip-Hop, which is a detailed    documentation of the movement, and its evolution.  <\/p>\n<p>    To get a further understanding of how the VH1 series will    tackle the subject matter and where The Breaks will fit in    todays television landscape, Screener sat down with executive    producersSeith Mann (The Wire, The Walking Dead) and    John J. Strauss during Januarys TCA Winter Tour.  <\/p>\n<p>    RELATED: Hip-Hop Evolution is a nice    companion piece to Netflixs The Get Down  <\/p>\n<p>    John J. Strauss: To me, good entertainment is    about characters and engaging an audience. If you look at any    given time in the history of television, there have been    multiple law shows on the air, multiple medical shows on the    air, multiple procedurals on the air So, I dont really see it    like were competing for space in the world of hip-hop, as much    as we have a very particular set of characters and a very    particular point of view. I think the world that were    presenting is really grounded, gritty, realistic and dramatic.    It has people who you are going to be invested in. I think    thats really what its about.  <\/p>\n<p>    Seith Mann: Inspired by, but not    necessarily based on real people. They are inspired by the    types of characters that you found in the hip-hop community and    culture in the late 80s and early 90s. In terms of why now    Im not sure I know exactly why now. I know that I was very    interested in telling a story that would get into the history    of how this music  how this nascent subculture  became this    dominant world power. At the same time, as Im interested in    that  and doing research on my own  across the country,    Dan Charnas is finishing his book that covers that exact    subject matter! So, I feel like there is a certain zeitgeist    that is happening  or has happened  that were a part of, you    know?  <\/p>\n<\/p>\n<p>    Seith: I wouldnt call it our bible because we    take a lot of dramatic license. We are telling a fictitious    story, but we are attempting to tell a story about characters    that didnt necessarily exist. But they couldve    existed  you know what I mean? So, the book  <\/p>\n<p>    John: It keeps us straight  especially with    the history of the era. He writes all the way from the 70s to    the present, but its so comprehensive. Hes been great, too     hes an executive producer on the show  and hes been sort of    our policeman saying stuff like, This never happened. This    did happen. This cant happen. This should happen.  <\/p>\n<p>    Seith: Hes our banker. He always talks    about and we all agree, its one of the things that is    very important for us in the room  we are telling a fictitious    story about characters that didnt exist and companies that    didnt necessarily exist  but we want to believe that they    did exist. We want these characters to represent the    kind of people that transformed the world. What Dan started    talking about, that we all leaned into, was the notion of an    authenticity bank. We can only make so many withdrawals from    the authenticity bank before our show becomes bullsh**t, so    were very rigorous about making sure we dont take too many    withdrawals. You know, thats a delicate dance when youre    telling dramatic fictitious stories.  <\/p>\n<p>    John: We have a tremendous responsibility. We    really do.  <\/p>\n<p>    Seith: One of the things that was so    gratifying in shooting this was people saying things    like,Oh yeah, you got them Fila warmups! You    know what I mean? Hip-hop has always been tied to fashion     people are paying attention to that! Theyre paying attention    to the music, the language  were very rigorous that we dont    let some slang that didnt come around till 1993 slip into our    1990 story.  <\/p>\n<p>    Seith: A-F-R-O is in the show. He comes back!  <\/p>\n<p>    Seith: For me, it was pretty amazing. You    know, I come from a film school background, and Ive worked    mostly with actors. I believe a lot of musicians and musical    talents can act  but its not a given that just    because you have a presence on stage, that its going to    translate in front of a lens.  <\/p>\n<p>    Sowhen A-F-R-O was introduced to us by DJ Premier  who    was our executive music producer on the movie\/pilot\/whatever    you want to call it, and now executive producer of the show     he said,You guys really need to take a look at this    guy!We looked at him and saw the same thing    everybody else saw and was like,We gotta bring him    in!  <\/p>\n<p>    It really was like a family affair, because when we shot The    Breaks he was 17 or 18 itwas all very new, and    everybody just took care of him. Wood [Harris] worked    very closely with him his first day on set, and then when he    came back for the series, he was just like an old pro. He just    got it, like fish to water!  <\/p>\n<\/p>\n<p>    John: Eight.  <\/p>\n<p>    Seith: And see, this is what I love about    John. When John came into this, he always raised the game. My    number was seven. But Im going with Johns number.  <\/p>\n<p>    John: I just feel that theres that much to    do! Dont forget, we did eight episodes  were not doing 22.  <\/p>\n<p>    Seith: Yeah, its an eight-episode season.  <\/p>\n<p>    John: And there are a lot of characters, man.    Theres a lot of history!  <\/p>\n<p>    Seith: Its like, with the movie we just    scratched the surface of the world. With the first season, we    dig deeper  but theres just so much breadth, and so many    interesting characters. How the music expanded, how the    business expanded  at the end of the day, its still about how    the business grew and affected the culture around it.  <\/p>\n<\/p>\n<p>    The Breaks Season 1 premieres Monday, Feb. 20, at 9 p.m.    ET\/PT on VH1.  <\/p>\n<p><!-- Auto Generated --><\/p>\n<p>Read this article: <\/p>\n<p><a target=\"_blank\" rel=\"nofollow\" href=\"http:\/\/screenertv.com\/television\/vh1-the-breaks-seith-mann-john-j-strauss-hip-hop-series\/\" title=\"These are 'The Breaks': Inside VH1's 'grounded' new hip-hop series ... - Screener\">These are 'The Breaks': Inside VH1's 'grounded' new hip-hop series ... - Screener<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p> Between shows like Empire, Star and The Get Down, its pretty safe to say hip-hops been enjoying a television renaissance for a while now.  <a href=\"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/zeitgeist-movement\/these-are-the-breaks-inside-vh1s-grounded-new-hip-hop-series-screener.php\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"limit_modified_date":"","last_modified_date":"","_lmt_disableupdate":"","_lmt_disable":"","footnotes":""},"categories":[431584],"tags":[],"class_list":["post-209442","post","type-post","status-publish","format-standard","hentry","category-zeitgeist-movement"],"modified_by":null,"_links":{"self":[{"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/posts\/209442"}],"collection":[{"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/comments?post=209442"}],"version-history":[{"count":0,"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/posts\/209442\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/media?parent=209442"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/categories?post=209442"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/tags?post=209442"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}