The office of the Meduza Project brims with light and open space, a metaphor for the freedom that the dozen journalists who left Russia to avoid censorship feel in their newfound home. <\/p>\n
The white-washed interior walls of a 200-year-old former grain warehouse where the reporters work are cut with faceted windows overlooking the Daugava River and the sun-splashed plains east of Riga. Ochre and pink bricks forming the building's arched windows and pitched, crenelated roofline evoke the architecture of the Hanseatic League that in the late Middle Ages united Northern European ports from Rotterdam to Tallinn in a trade and defense confederation. <\/p>\n
Inside, the 11 a.m. news meeting is running overtime as the journalists ponder how best to present the latest actions of Russian state media censors in outlawing reports on the motives behind suicide. <\/p>\n
The edict is intended to prevent a Meduza Project report from spreading to publications in Russia: It says that at least 12 cancer sufferers in Moscow took their lives in February because government-run hospitals denied them pain management medications. <\/p>\n
\"We were looking into why the government has gotten involved in determining who gets pain medications and who doesn't,\" said Konstantin Benyumov, editor of Meduza's English-language edition. <\/p>\n
Eventually, the meeting adjourns and reporters disperse to their laptops on sleek blond-wood desks atop wrought-iron sawhorses. Some dash downstairs first to the wind-swept courtyard for a smoke or the daily call home to family in Moscow. <\/p>\n
Meduza's reporters and editors are an outgrowth of the late Lenta.ru investigative news organization that, like most independent media in Russia, has been subverted by politically motivated firings and stifled by government edicts criminalizing reporting on embarrassing issues. <\/p>\n
Like its namesake mythological Greek monster whose severed head retained the power to turn into stone all who gazed into her eyes, the Meduza Project's self-exiled Russian staff lives on, bedeviling Kremlin efforts to control and manipulate information. <\/p>\n
A year ago, Lenta editor Galina Timchenko was fired, reportedly for publishing an interview with a member of the Ukrainian nationalist militia Right Sector. <\/p>\n
\"It was just the pretext for her firing, as it wasn't banned at that time,\" Benyumov said of the Ukrainian paramilitary now battling pro-Russia separatists in eastern Ukraine. <\/p>\n
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At Meduza, self-exiled Russian journalists avoid Kremlin censorship<\/a><\/p>\n","protected":false},"excerpt":{"rendered":" The office of the Meduza Project brims with light and open space, a metaphor for the freedom that the dozen journalists who left Russia to avoid censorship feel in their newfound home. The white-washed interior walls of a 200-year-old former grain warehouse where the reporters work are cut with faceted windows overlooking the Daugava River and the sun-splashed plains east of Riga. Ochre and pink bricks forming the building's arched windows and pitched, crenelated roofline evoke the architecture of the Hanseatic League that in the late Middle Ages united Northern European ports from Rotterdam to Tallinn in a trade and defense confederation Continue reading