{"id":177558,"date":"2015-01-26T16:45:44","date_gmt":"2015-01-26T21:45:44","guid":{"rendered":"http:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/uncategorized\/sundance-review-craig-zobels-z-for-zachariah-is-not-your-typical-post-apocalyptic-romance.php"},"modified":"2015-01-26T16:45:44","modified_gmt":"2015-01-26T21:45:44","slug":"sundance-review-craig-zobels-z-for-zachariah-is-not-your-typical-post-apocalyptic-romance","status":"publish","type":"post","link":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/futurism\/sundance-review-craig-zobels-z-for-zachariah-is-not-your-typical-post-apocalyptic-romance.php","title":{"rendered":"Sundance Review: Craig Zobel&#39;s &#39;Z for Zachariah&#39; is Not Your Typical Post-Apocalyptic Romance"},"content":{"rendered":"<p><p>    Sun Jan 25 12:45:06 EST 2015  <\/p>\n<p>    The \"Compliance\" director's latest film is a minimalist chamber    drama with only three actors in its cast.  <\/p>\n<p>      Courtesy of Sundance Institute.      \"Z for Zachariah\"    <\/p>\n<p>    Director Craig Zobel's followup to 2012's \"Compliance,\" Z for    Zachariah is a solid relationship drama disguised as    post-apocalyptic tale. The events of the film, which take place    in the wake of an unspecified nuclear disaster, are defined    more by its astute observations of human behavior in the face    of devastating loss than any of science fiction conceits. With    visuals more focused on lush New Zealand landscapes than    abandoned architecture, Zobel and screenwriter Nissar Modi    treat the material  based on the young adult novel by Robert    C. OBrien  with an accomplished tone of rugged futurism.  <\/p>\n<p>    However, reminders of the fictional backdrop are reinforced by    the recurring appearances of an advanced HAZMAT suit, starting    with the first scene. The character shown scavenging for    supplies in a poisoned ghost town is revealed to be Ann Burden,    who self-sustains on her father's farm in a beautiful,    uninfected valley. Ann is a strong-willed, street-smart woman    played with tough honesty by cast MVP Margot Robbie (of \"Wolf    of Wall Street\" fame). Thanks to Robbie, Ann's formidable    survival instincts are never obscured by her own character's    sweet-natured religious sensibility or by her occasional lapses    into human folly. The film suffers most when she's relegated to    the background.  <\/p>\n<p>    When Ann unexpectedly comes across a strapping young fellow    survivor named Loomis (Chiwetel Ejiofor), she rescues and    nurses him back to health after realizing that he has    inadvertently washed himself with infected water. Loomis    recovers slowly, and eventually finds himself in a position to    offer Ann help with his scientific and technological insights.    Ejiofor makes for a compatible match with Robbie, and their    chemistry together  carefully molded in shades of emotional    nuance  maintains a compelling hold. The textured approach to    each character's behavior deepens an otherwise straightforward    narrative. During the first half of the film, their    relationship steadily grows more complex, and culminates with a    convincing romance.  <\/p>\n<p>    But progression of their mutual attraction is complicated with    the sudden appearance of yet another fellow survivor, this one    named Caleb (Chris Pine). Loomis immediately feels jealousy    toward Caleb's attributes  he's a smooth talking religious    hunk who's more brawn than brain. At this point, the focus of    the film shifts somewhat abruptly to a competition of    masculinity that Caleb eagerly plays, as the emerging love    triangle becomes increasingly difficult for all parties to    ignore.  <\/p>\n<p>    The twist arrives to the detriment of the film, given the    agreeably more subdued approach to its characters' detailed    interactions that came earlier. Although Ann remains at the    center of the triangle, the story gets away from her. It    doesn't help that Pine's character receives the least    substantive development into a character, which is a problem    for making the rivalry fully convincing (at times, it's hard    not to think of his recent tongue-in-cheek turn in \"Into the    Woods\"). Still, in spite of the lesser material, Pine does a    fine job at playing the male tempter to Ann and the animalistic    threat to Loomis.  <\/p>\n<p>    With only three actors onscreen, \"Z for Zachariah\" owes much to    its visual appeal. The photography by cinematography Tim Orr (a    David Gordon Green regular) plays up the stillness of the    landscape, while the film's unfussy conclusion punctuates its    admirably minimalist approach. Even as the storys increased    tension weakens its subtleties, Zobel's sensitive handling of    the emotional tone throughout grounds the film with an    overarching realism despite the far-fetched setting.  <\/p>\n<p>        \"Z for Zachariah\" premiered this weekend at the Sundance Film    Festival. Lionsgate will release it theatrically later this    year.<\/p>\n<p><!-- Auto Generated --><\/p>\n<p>Read the original: <\/p>\n<p><a target=\"_blank\" href=\"http:\/\/www.indiewire.com\/article\/sundance-review-craig-zobels-z-for-zachariah-is-not-your-typical-post-apocalyptic-romance-20150125\/RK=0\/RS=gcO_t81_r.K.VxUDUX0xzKT7pDY-\" title=\"Sundance Review: Craig Zobel&#39;s &#39;Z for Zachariah&#39; is Not Your Typical Post-Apocalyptic Romance\">Sundance Review: Craig Zobel&#39;s &#39;Z for Zachariah&#39; is Not Your Typical Post-Apocalyptic Romance<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p> Sun Jan 25 12:45:06 EST 2015 The \"Compliance\" director's latest film is a minimalist chamber drama with only three actors in its cast. Courtesy of Sundance Institute. \"Z for Zachariah\" Director Craig Zobel's followup to 2012's \"Compliance,\" Z for Zachariah is a solid relationship drama disguised as post-apocalyptic tale <a href=\"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/futurism\/sundance-review-craig-zobels-z-for-zachariah-is-not-your-typical-post-apocalyptic-romance.php\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"limit_modified_date":"","last_modified_date":"","_lmt_disableupdate":"","_lmt_disable":"","footnotes":""},"categories":[11],"tags":[],"class_list":["post-177558","post","type-post","status-publish","format-standard","hentry","category-futurism"],"modified_by":null,"_links":{"self":[{"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/posts\/177558"}],"collection":[{"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/comments?post=177558"}],"version-history":[{"count":0,"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/posts\/177558\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/media?parent=177558"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/categories?post=177558"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/tags?post=177558"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}