{"id":156539,"date":"2014-11-06T00:44:54","date_gmt":"2014-11-06T05:44:54","guid":{"rendered":"http:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/uncategorized\/album-of-the-week-dirty-beaches-stateless.php"},"modified":"2014-11-06T00:44:54","modified_gmt":"2014-11-06T05:44:54","slug":"album-of-the-week-dirty-beaches-stateless","status":"publish","type":"post","link":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/beaches\/album-of-the-week-dirty-beaches-stateless.php","title":{"rendered":"Album of the Week: Dirty Beaches Stateless"},"content":{"rendered":"<p><p>    INDIE  <\/p>\n<p>    Stateless  <\/p>\n<p>    Dirty Beaches  <\/p>\n<p>    (Zoo Music)  <\/p>\n<p>    Four stars out of five  <\/p>\n<p>    As Dirty Beaches, Alex Zhang Hungtai travelled the world, his    raw, unhinged rock albums painting vivid pictures of dusty    Americana (the motorcycle desert gang-worthy Badlands, from    2011, and last years double opus Drifters\/Love Is The Devil),    life in the far reaches of Asia (the Taiwan-themed Neon Gods of    Lost Youth), and music dedicated to North American cultural    curiosities (the soundtrack to Water Park, an ambient film shot    at West Edmonton Malls indoor recreational facility).  <\/p>\n<p>    While there have been collaborators, Dirty Beaches is    essentially Hungtais sole vision, one constructed on a life    that has spanned the globe: Born in Taiwan, Hungtai has also    lived in Vancouver, Montreal, San Francisco, Berlin and Lisbon,    among many other locales.  <\/p>\n<p>    Stateless is a fitting conceptual farewell for Dirty Beaches,    as Hungtai announced late last month that he was retiring the    project and moving on to new horizons. Assisted by Italian    composer Vittorio Demarin, this guitar-less, wordless body of    work is an exercise in multi-layered ambient textures  a far    cry from his notoriously lo-fi guitar output. Brian Enos    airport music, David Lynch and Stanley Kubrick film scores    (especially the Gyorgy Ligeti material in 2001: A Space    Odyssey), and Philip Glass (see: Koyaanisqatsi) immediately    come to mind. (Perhaps fittingly, Lynch collaborator Dean    Hurley handled the mix on Stateless.)  <\/p>\n<p>    Recorded in Lisbon over the past year, Stateless conjures    visions of highways seen from the vantage point of a landing    plane, flickering neon signs lighting up the Shanghai skyline,    waves crashing upon jagged rocks on the coast of California,    and European nightclubs, stripped of their beats, filled with    bodies flailing in silence.  <\/p>\n<p>    Stateless exists, like Hungtai, in constant limbo, and as such    it is the proper sendoff for an artist without borders or    boundaries, standing on the edge.  <\/p>\n<p><!-- Auto Generated --><\/p>\n<p>See the original post here:<\/p>\n<p><a target=\"_blank\" href=\"http:\/\/www.theprovince.com\/entertainment\/music\/Album+Week+Dirty+Beaches+Stateless\/10356422\/story.html\/RK=0\/RS=Z039eW5wp8IQb2INZ.7OjlTfD5c-\" title=\"Album of the Week: Dirty Beaches Stateless\">Album of the Week: Dirty Beaches Stateless<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p> INDIE Stateless Dirty Beaches (Zoo Music) Four stars out of five As Dirty Beaches, Alex Zhang Hungtai travelled the world, his raw, unhinged rock albums painting vivid pictures of dusty Americana (the motorcycle desert gang-worthy Badlands, from 2011, and last years double opus Drifters\/Love Is The Devil), life in the far reaches of Asia (the Taiwan-themed Neon Gods of Lost Youth), and music dedicated to North American cultural curiosities (the soundtrack to Water Park, an ambient film shot at West Edmonton Malls indoor recreational facility). While there have been collaborators, Dirty Beaches is essentially Hungtais sole vision, one constructed on a life that has spanned the globe: Born in Taiwan, Hungtai has also lived in Vancouver, Montreal, San Francisco, Berlin and Lisbon, among many other locales.  <a href=\"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/beaches\/album-of-the-week-dirty-beaches-stateless.php\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"limit_modified_date":"","last_modified_date":"","_lmt_disableupdate":"","_lmt_disable":"","footnotes":""},"categories":[39],"tags":[],"class_list":["post-156539","post","type-post","status-publish","format-standard","hentry","category-beaches"],"modified_by":null,"_links":{"self":[{"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/posts\/156539"}],"collection":[{"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/comments?post=156539"}],"version-history":[{"count":0,"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/posts\/156539\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/media?parent=156539"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/categories?post=156539"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/tags?post=156539"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}