{"id":126639,"date":"2014-04-25T09:41:04","date_gmt":"2014-04-25T13:41:04","guid":{"rendered":"http:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/uncategorized\/review-the-machine-conjures-a-stylish-sense-of-wonder-danger.php"},"modified":"2014-04-25T09:41:04","modified_gmt":"2014-04-25T13:41:04","slug":"review-the-machine-conjures-a-stylish-sense-of-wonder-danger","status":"publish","type":"post","link":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/artificial-intelligence\/review-the-machine-conjures-a-stylish-sense-of-wonder-danger.php","title":{"rendered":"Review: &#39;The Machine&#39; conjures a stylish sense of wonder, danger"},"content":{"rendered":"<p><p>    A resourcefully stylish indie sci-fi entry from Britain, \"The    Machine\" drapes sleek visuals over an artificial intelligence    tale set in a top-secret British government facility where    robots are being developed to fight a cold war with China.  <\/p>\n<p>    Empathic computer genius Vincent (Toby Stephens) has more on his mind,    however, than creating a weapon-strength, self-aware being for    his military boss (Denis Lawson). Vincent imagines a    revolutionary future in which the brain-damaged (be they    wounded soldiers or his medically afflicted daughter) are given    their humanity again.  <\/p>\n<p>    That makes Vincent's breakthrough  the Machine (Caity Lotz),    an aerodynamic hot bod of a robot who can flip, fight and care    deeply  into a moral battleground of sorts. With her    slick-backed hair, Lotz is a cyberblond right out of    Hitchcock's dystopian fantasies.  <\/p>\n<p>    PHOTOS: Box office top 10 of    2013  <\/p>\n<p>    Writer-director Caradog W. James is so enamored by the coolly    designed future aesthetics of movies like \"A Clockwork Orange\" and \"Blade Runner\" that his metaphoric    dark-and-darker lighting can get the best of him. (Being able    to see an actor's face has been known to be effective.) But    even with a cut-and-dried approach to characterization and the    issue of man-made consciousness, \"The Machine\" percolates with    an elegantly palpable sense of wonder and danger.  <\/p>\n<p>    -------------------------  <\/p>\n<p>    \"The Machine\"  <\/p>\n<p>    MPAA rating: Rated R for violence and language  <\/p>\n<p>    Running time: 1 hour, 31 minutes  <\/p>\n<p>    Playing: At the Arena Cinema, Hollywood  <\/p>\n<p><!-- Auto Generated --><\/p>\n<p>See original here:<\/p>\n<p><a target=\"_blank\" href=\"http:\/\/www.latimes.com\/entertainment\/la-et-mn-machine-movie-review-20140425,0,1380970.story?track=rss\/RK=0\/RS=qD7nuzd6mfnP3GZPUZkQoidUcp4-\" title=\"Review: &#39;The Machine&#39; conjures a stylish sense of wonder, danger\">Review: &#39;The Machine&#39; conjures a stylish sense of wonder, danger<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p> A resourcefully stylish indie sci-fi entry from Britain, \"The Machine\" drapes sleek visuals over an artificial intelligence tale set in a top-secret British government facility where robots are being developed to fight a cold war with China. Empathic computer genius Vincent (Toby Stephens) has more on his mind, however, than creating a weapon-strength, self-aware being for his military boss (Denis Lawson). Vincent imagines a revolutionary future in which the brain-damaged (be they wounded soldiers or his medically afflicted daughter) are given their humanity again <a href=\"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/artificial-intelligence\/review-the-machine-conjures-a-stylish-sense-of-wonder-danger.php\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"limit_modified_date":"","last_modified_date":"","_lmt_disableupdate":"","_lmt_disable":"","footnotes":""},"categories":[13],"tags":[],"class_list":["post-126639","post","type-post","status-publish","format-standard","hentry","category-artificial-intelligence"],"modified_by":null,"_links":{"self":[{"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/posts\/126639"}],"collection":[{"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/comments?post=126639"}],"version-history":[{"count":0,"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/posts\/126639\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/media?parent=126639"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/categories?post=126639"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/tags?post=126639"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}