{"id":122073,"date":"2014-04-06T20:40:40","date_gmt":"2014-04-07T00:40:40","guid":{"rendered":"http:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/uncategorized\/artificial-intelligence-robots-systematically-destroy-wall-in-the-name-of-art.php"},"modified":"2014-04-06T20:40:40","modified_gmt":"2014-04-07T00:40:40","slug":"artificial-intelligence-robots-systematically-destroy-wall-in-the-name-of-art","status":"publish","type":"post","link":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/artificial-intelligence\/artificial-intelligence-robots-systematically-destroy-wall-in-the-name-of-art.php","title":{"rendered":"Artificial intelligence robots systematically destroy wall in the name of art"},"content":{"rendered":"<p><p>    Generally speaking, we use robots to help us build or create things. An artwork on    display at the UK's Foundation for Art and Creative Technology    (FACT), however, does quite the opposite. Accomplice comprises    a number of robots that are systematically destroying a gallery    wall over the course of an exhibition.  <\/p>\n<p>    The artwork is designed by Petra Gemeinboeck and Rob Saunders    and was first developed in 2012 during a residency at the Ars    Electronica Futurelab in Linz, Austria. It explores the concept    of machine autonomy and aims to remind the audience that    society not only depends on technology, but is shaped by it    too.  <\/p>\n<p>    Building on an earlier work by Gemeinboeck and Saunders called    Zwischenrume (In-between Spaces), Accomplice uses a system    that allows the robots to share the wall space whilst using the    same mechanism for moving around. They are able to communicate    with each other through rhythmic knocking signals.  <\/p>\n<p>    Gemeinboeck explains to Gizmag that the robots use a    computational model of curiosity, based on a combination of    reinforcement and unsupervised learning. The robots are    rewarded for discovering novelty, such as surprising or    unexpected consequences of their actions. They then use use    these experiences to create a model of how the world reacts to    them. As such, they are constantly experimenting and learning.  <\/p>\n<p>    \"One of the consequences of the robots actions is to open up    holes in the wall, through which they can observe the outside    world,\" says Gemeinboeck. \"This is when a more passive form of    machine learning, unsupervised learning, takes over. In this    case the robots are motivated to learn about new experiences    but have little control over the creation of those experiences    through action. The robots are sensitive to color and motion,    and so people wearing colors they haven't seen recently or who    are moving in different ways to recent visitors may reward the    robot by providing it with something new to learn. From the    robots perspective, the audience performs for them.\"  <\/p>\n<p>    Gemeinboeck explains that the basic idea was to couple the wall    with a dynamic machine mechanism. \"We use an advanced linear    motion systems from Igus for the vertical motion and a belt    drive for the horizontal motion,\" she says. \"For the control    system, we use off-the-shelf low-power computing systems  a    Beagleboard XM handles the central control, a Raspberry Pi    mainly takes care of the machine vision and an Arduino with a    RAMPS board shield takes care of the motor control. Weve    developed our own custom control software that builds on Robs    research in Computational Creativity. The electromechanical    punch is custom-built as well, driven by a solenoid.\"  <\/p>\n<p>    The artists worked with a kinetic sculpture to create the    electromechanical punch and, although many of the components    used were off-the-shelf, others had to be created, a process    that Gemeinboeck says required a great deal of prototyping over    several months. The work as a whole was programmed mostly in    Python, with some C and Java.  <\/p>\n<p>    Accomplice has garnered a variety of reactions from audience    members in the places that it has been exhibited. According to    Gemeinboeck, some people have been \"disconcerted\" by the    apparently destructive machinery that appears to have no human    control, whilst others are more intrigued or amused.  <\/p>\n<p>    \"We have often observed that audiences respond more like    visitors in a zoo; they spend a surprising amount of time to    observe whats going on and begin to speculate about the    machines' intent,\" she says. \"In some instances we have also    seen the audiences perspective to shift in interesting ways     they have felt uneasy at first and saw what was going on as a    violent act, but after a while began to look at the wall from    'the other side', from the machines' perspective, which opened    up more playful possibilities.\"  <\/p>\n<p>    Accomplice is on display at FACT until 22nd June as part of the    Science Fiction: New Death exhibition.  <\/p>\n<p><!-- Auto Generated --><\/p>\n<p>Follow this link:<\/p>\n<p><a target=\"_blank\" href=\"http:\/\/www.gizmag.com\/gemeinboeck-saunders-accomplice-fact-art-robot\/31518\/\/RS=^ADAbJXTCz2ThwgsLgVO7QruiWcqfFY-\" title=\"Artificial intelligence robots systematically destroy wall in the name of art\">Artificial intelligence robots systematically destroy wall in the name of art<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p> Generally speaking, we use robots to help us build or create things.  <a href=\"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/artificial-intelligence\/artificial-intelligence-robots-systematically-destroy-wall-in-the-name-of-art.php\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"limit_modified_date":"","last_modified_date":"","_lmt_disableupdate":"","_lmt_disable":"","footnotes":""},"categories":[13],"tags":[],"class_list":["post-122073","post","type-post","status-publish","format-standard","hentry","category-artificial-intelligence"],"modified_by":null,"_links":{"self":[{"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/posts\/122073"}],"collection":[{"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/comments?post=122073"}],"version-history":[{"count":0,"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/posts\/122073\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/media?parent=122073"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/categories?post=122073"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/tags?post=122073"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}