{"id":1048314,"date":"2024-07-23T02:40:58","date_gmt":"2024-07-23T06:40:58","guid":{"rendered":"https:\/\/www.immortalitymedicine.tv\/twisters-anatomy-of-a-scene-the-new-york-times\/"},"modified":"2024-08-17T17:54:42","modified_gmt":"2024-08-17T21:54:42","slug":"twisters-anatomy-of-a-scene-the-new-york-times","status":"publish","type":"post","link":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/anatomy\/twisters-anatomy-of-a-scene-the-new-york-times.php","title":{"rendered":"Twisters | Anatomy of a Scene &#8211; The New York Times"},"content":{"rendered":"<p><p>    My name is Lee Isaac Chung and I am the director of Twisters.    So this is a scene that happens about halfway through the film.    Internally, we would always say this is T4, tornado number    four, because we number each of our tornadoes. And Kate is    played by Daisy Edgar-Jones. And then we have Tyler played by    Glen Powell. Other interesting actors in this sequence, we have    James Paxton, who is actually the son of Bill Paxton. You only    see him very briefly. Hes the man in the couple who try to    drive away from this tornado. No! Stop! And Lily Smith, who is    the daughter of our writer Mark L. Smith. And then we have    Samantha Ireland, Aila Grey, whos the little girl. And we also    had Jeff Swearingen, who plays the hapless desk clerk. I really    wanted to film a night tornado because growing up around    tornado alley, the night tornadoes were always the most    frightening. Really, the intent of doing this was to create    that feeling, that subjective feeling of what its like to    experience a tornado in real time. We had Scott Fisher, who was    our special effects person, who rigged a lot of interesting    things to happen within this scene after we saw that Coke    machine fall and I saw that top shell loose. We rigged that top    shell to fly off into the wind. Jeff Swearingen was game to be    rigged up, to be pulled back to the back of the pool. And then    after hes yanked back, thats where we changed Jeff out with    this wonderful stunt performer who we rigged up to really be    pulled up into the air. I think he went up about 60 feet. And    then this trailer, we slammed it against the edge of the pool.    We had lots of debris falling as a result. And this was a    little bit scary to film because when that trailer falls on    these actors, its loud, its very loud. And I felt the actors    were really great sports doing this. We were keeping them safe,    of course, Because we were filming a sequence in which the    background is intact, and then later when they come out of this    swimming pool, everything is destroyed, we needed to destroy    the set. So any time were filming inside of this swimming    pool, there were people outside, our crew, who were destroying    the set. So that was going on in the same time that we were    filming all of this stuff within the pool. The swimming pool    had actually never been there. We had found this motel in which    there were three separate structures within the motel. And what    we did was we built out the hotel into a horseshoe shape and    built an office so that later we could destroy those parts of    our set to make it feel like a tornado really ripped through a    horseshoe motel. When we were walking out with these guys, with    the crane, this was really a beautiful shot. I give so much    credit to Geoff Haley, our incredible camera operator, for all    of the technical expertise he did in this entire sequence to    make sure our camera is level and that all of these moments    somehow work in this seamless way.  <\/p>\n<p><!-- Auto Generated --><\/p>\n<p>More:<br \/>\n<a target=\"_blank\" href=\"https:\/\/www.nytimes.com\/video\/movies\/100000009580520\/twisters-scene.html\" title=\"Twisters | Anatomy of a Scene - The New York Times\" rel=\"noopener\">Twisters | Anatomy of a Scene - The New York Times<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p> My name is Lee Isaac Chung and I am the director of Twisters. So this is a scene that happens about halfway through the film.  <a href=\"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/anatomy\/twisters-anatomy-of-a-scene-the-new-york-times.php\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"limit_modified_date":"","last_modified_date":"","_lmt_disableupdate":"","_lmt_disable":"","footnotes":""},"categories":[577281],"tags":[],"class_list":["post-1048314","post","type-post","status-publish","format-standard","hentry","category-anatomy"],"modified_by":null,"_links":{"self":[{"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/posts\/1048314"}],"collection":[{"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/comments?post=1048314"}],"version-history":[{"count":0,"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/posts\/1048314\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/media?parent=1048314"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/categories?post=1048314"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.euvolution.com\/futurist-transhuman-news-blog\/wp-json\/wp\/v2\/tags?post=1048314"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}