Great Meadows Foundation is the legacy of the late Reverand Al Shands and named after the home he and his wife Mary shared. The organization supports artists and curators with grant monies and opportunities for networking. LEO wanted to shine a spotlight on the artists who were awarded Artist Development Grants this year and what they planned to do. We asked each of them the same set of questions. <\/p>\n<\/p>\n
Joanne Price <\/p>\n
Age: 49 <\/p>\n
Pronouns: She\/ her <\/p>\n
What is your art medium and how did you decide to pursue art as a career? <\/p>\n
I am a printmaker specializing in wood engraving (a popular Victorian illustration technique). Ive been doing book illustrations for fine press publishers like Larkspur Press (Monterey, KY) and October Press (Lexington, KY) since 2015. I feel extremely honored to have worked with amazing Kentucky authors like Wendell Berry, Sena Jeter Naslund, Frank X Walker, Silas House, Maureen Moorehead and more. Im also really lucky to have the opportunity to work with wonderful Kentucky organizations like Josephine Sculpture Park, Kentucky Natural Lands Trust, Yew Dell Gardens, Bernheim Arboretum & Research Forest and more to promote art, land conservation, and sustainable living. <\/p>\n
You were awarded an Artist Development Grant, what are your plans for the grant? <\/p>\n
I will be traveling to Les Baux-de-Provence, France to participate in a cultural and professional exchange program at the Louis Jou Foundation. I am the first of several non-French artists invited to teach a wood engraving workshop at the Louis Jou Foundation as the medium has nearly disappeared from practice in France in the past 60 years. Louis Jou was known as a book architect practicing wood engraving, typography, printing, and book illumination. I am excited to research Louis Jous collection of prints, type and engraving blocks during my visit. I will also visit the Lyon Museum of Printing & Graphic Communication, Collection Lambert in Avignon, the Center Pompidou in Paris, and more. <\/p>\n
Where would you like to see your art in 5 years? <\/p>\n
Id love to see more of my work in public collections at libraries and museums. Id also love to have the opportunity to collaborate with scientists and historians. I enjoy the shared knowledge and how it can enhance my own explorations. <\/p>\n
What would you like to see happen in Louisville for local arts and artists? <\/p>\n
More grant and exhibition opportunities would be great for ALL Kentucky artists not just limited to the Louisville area. <\/p>\n
Why does art matter to you? <\/p>\n
Art is my life it feeds me both literally and intellectually. It gives me a voice, even when my work is anonymous. Art is the lens through which I understand and interact with the world. <\/p>\n<\/p>\n
Ezra Kellerman <\/p>\n
Age: 42 <\/p>\n
Pronouns: He\/they <\/p>\n
What is your art medium and how did you decide to pursue art as a career? <\/p>\n
I dont really have a medium, I try to allow my ideas to determine how I make things and what I use to make them. Although, lately Ive been 3D printing and making videos more than anything else. Creating artwork has always been something Ive felt compelled to do. I decided to make it a serious commitment in my life since I couldnt stop thinking about it or doing it anyways. Once I was into that commitment, for about a year or so, I realized that its more fun to do than anything else. Theres been no looking back since, baby! <\/p>\n
You were awarded an Artist Development Grant, what are your plans for the grant? <\/p>\n
Experiencing two specific exhibits at this years Biennale Architettura; Yasmine Mahmoudiehs Metamorphosis, and the American pavilion. Both exhibits have similar theses regarding the use of plastics in the future of design and architecture, but they appear to have different conclusions on the role 3D printing plays in that future. <\/p>\n
Where would you like to see your art in 5 years? <\/p>\n
On the moon or another planet. <\/p>\n
What would you like to see happen in Louisville for local arts and artists? <\/p>\n
The development of a local arts economy, more critical discourse directed at practicing Louisville artists. <\/p>\n
Why does art matter to you? <\/p>\n
Its a universal language that allows people to understand experiences and perspectives that arent their own. Also, creating artwork is a manifestation of our species evolutionary apogee. <\/p>\n<\/p>\n
Susan Hatcher <\/p>\n
Age: 52 <\/p>\n
Pronouns: She\/her <\/p>\n
What is your art medium and how did you decide to pursue art as a career? <\/p>\n
I primarily work with ceramics\/ clay\/ pottery <\/p>\n
I started creating with clay in high school. My art teacher signed notes so I could get out of study hall and work in the art room. I would build coil pots and have not stopped since then. But I do believe it has been a steady and consistent ritual. I have expanded my repertoire to wheel thrown and slab vessels & teapots. <\/p>\n
You were awarded an Artist Development Grant, what are your plans for the grant? <\/p>\n
I will travel to Vallauris, France. I will live and work at their Artist in Residence program for a month in October (this year). It is exciting to get to meet international clay workers (Norway, Canada, Australia, Slovakia, Austria, France, & more) for me. I plan to visit contemporary art in the region around Nice and the Cote d Azure. Picasso has a museum in Antibes; he had created ceramic work there in the 1940s and 50s ( lucky me gets to check it out.) <\/p>\n
Where would you like to see your art in 5 years? <\/p>\n
My work is always evolving. I will be able to build bigger & large scale pieces in the next 5 years but on the flip side I also enjoy a small intricately designed and well thrown vase. <\/p>\n
What would you like to see happen in Louisville for local arts and artists? <\/p>\n
Louisville has always had good visual art institutions from the Speed, KMAC contemporary,& LVA. I hope our community continues to promote and foster the growth of artists and the arts in Louisville. I am a part of Louisville Potters, founded by Sarah Frederick (1935-2023) almost 50 years ago. I have been able to promote this group as one of the organizers and sell and create work because of its large following. We are moving to Waterfront Botanical gardens on Nov. 11 for our next show which will feature 12 ceramic artists! <\/p>\n
Why does art matter to you? <\/p>\n
Art is so engrained in my daily life from my morning tea from a mug a friend created or my practice of throwing and building vessels. Clay has rooted my being and soothed my soul. <\/p>\n<\/p>\n
Gayle Cerlan <\/p>\n
Age: senior citizen, age 124,lol <\/p>\n
Pronouns: Female <\/p>\n
What is your art medium and how did you decide to pursue art as a career? <\/p>\n
My medium is ceramic sculpture. Went to Louisville School of Art, trained as an artist and have been ever since. I am an art teacher as well, taught at LVAA, UL, Indiana SW before opening my own non-accredited art school in Louisville, ArtStudio. I knew at age 10 that I was an artist. <\/p>\n
You were awarded an Artist Development Grant, what are your plans for the grant? <\/p>\n
For the grant, I plan to attend a Womens Figurative Ceramic Workshop in Bakersville, NC with internationally known ceramic sculptor, Lisa Clague. The workshop will be based on discussions of various sculptural techniques, influences as well as a space to work. It will also provide a forum for the artists to engage in conversations concerning the relationships between art and society, the obstacles that society has placed on gender, ageism, breaking out of traditional roles, feminism and political influences in contemporary art. <\/p>\n
Where would you like to see your art in 5 years? <\/p>\n
In five years I see myself continuing as a professional artist. Finding diverse gallery\/museum representation. <\/p>\n
What would you like to see happen in Louisville for local arts and artists? <\/p>\n
I would like to see in Louisville more studio spaces and realistic rents availability as well as more galleries. <\/p>\n
Why does art matter to you? <\/p>\n
Art matters to me in the same way food, drink, breath, nature, being alive matters to me. It is who I am. <\/p>\n<\/p>\n
Rebecca Richards <\/p>\n
Age: 28 <\/p>\n
Pronouns: They\/She <\/p>\n
What is your art medium and how did you decide to pursue art as a career? <\/p>\n
I am a multidisciplinary visual artist currently working in the realms of fashion, film, and sculpture. I decided to finally pursue art as a career after many years of slowly picking apart everything I have ever learned deprogramming and remembering who I really am and have always been: an artist. <\/p>\n
You were awarded an Artist Development Grant, what are your plans for the grant? <\/p>\n
I plan to visit three major fashion exhibitions and connect with artists throughout Europe, traveling to London to see REBEL: 30 Years Of London Fashion at the Design Museum, Paris to see Iris Van Herpen: Sculpting The Senses at the Muse des Arts Dcoratifs, and Antwerp to see ECHO. Wrapped In Memory at MoMu. <\/p>\n
Where would you like to see your art in 5 years? <\/p>\n
I was once told by a psychic, before I was even making art, that my work would be shown at the Whitney someday- so seeing that happen in 5 years would be fun. <\/p>\n
What would you like to see happen in Louisville for local arts and artists? <\/p>\n
I would love to see more funding for the arts in Louisville and everywhere, so that artists can focus on pushing their art and experimenting more, doing things that are unexpected and scary, instead of always worrying about how we are going to survive and sell our art. <\/p>\n
Why does art matter to you? <\/p>\n
I feel that language is often inadequate and making art is the best method I have to communicate to myself, to others, and to the universe. Through this play and experimentation I get to know myself better, heal, and connect with magic and wonder. It is also how I channel my anger at the broken systems in the world- by making beautiful things that are sustainable to honor the planet, and that are brightly colored, highly ornamented, and maximalist as a way to reclaim physical and visual space for queer people to occupy in a world that would rather see us disappear. <\/p>\n<\/p>\n
Roy Taylor <\/p>\n
Age: 67 <\/p>\n
Pronouns: He \/ Him \/ His <\/p>\n
What is your art medium and how did you decide to pursue art as a career? <\/p>\n
Stop motion animation (www.paperworkfilms.com). As a teen I would play around with animation using a Super 8 film camera and cardboard cutouts. After a long and varied career in the technical aspect of music touring and theatre production my passion for animation resurfaced after being asked to produce a music video for a touring client, Patty Griffin. The artist I was to collaborate with on the project with became unavailable. With a deadline to complete the project I chose to go back to my teenage style and incorporate some of the theatrical lighting knowledge I picked up in the theatre. During its production her guest on the duet, Robert Plant, asked me Taylor, if you can do all this s**t, why are you f***ing around in the music business? Presently, I spend about half my year on the touring gig; the other half here in my Louisville animation studio creating short films. <\/p>\n
You were awarded an Artist Development Grant, what are your plans for the grant? <\/p>\n
I am currently producing an animated narrative feature length film. I have recently begun to combine line-drawn rotoscoped images with my paper and light techniques. The grant I have received will allow me to attend the London International Animation Festival in late November. My goal is to learn more about these techniques from other animators and perhaps find potential collaborators for the feature project. <\/p>\n
Where would you like to see your art in 5 years? <\/p>\n
Five years is a realistic goal for completion of this feature length project. Along with that, my goal would be to financially able to sustain myself wholly on my practice. I never see myself retiring and plan on playing with cameras and paper as long as I can. <\/p>\n
What would you like to see happen in Louisville for local arts and artists? <\/p>\n
I think Louisville is already rich in programs that support artists in comparison to other regions Ive lived in or visited. Great Meadows, Hadley Creatives, Amped, LVA, Art Sanctuary and so many others have each found a path to provide opportunities. Id like to see programs which bring knowledge and resources directed towards artists making a living from their art. There are so many non-artistic skills involved legal, publicity, financial, etc. Programs that can make these aspects easier to learn about, navigate and be made more affordable to artists are very helpful. <\/p>\n
Why does art matter to you? <\/p>\n
To me, the art that I make tells tales, gives perspective and conveys emotion. That is also what I see in art of all forms. Art has the ability to communicate across all borders, boundaries and languages. It is essential. Cave paintings, often done as a sequence of images, could be considered the first animation! <\/p>\n<\/p>\n
Gregory (Greg) Reynolds <\/p>\n
Age: 70 <\/p>\n
Pronouns: He\/Him\/His <\/p>\n
What is your art medium and how did you decide to pursue art as a career? <\/p>\n
Photography was the medium that got me closest to narrative film making. <\/p>\n
You were awarded an Artist Development Grant, what are your plans for the grant? <\/p>\n
I will see the Wolfgang Tillmans retrospective exhibition in San Francisco. <\/p>\n
Where would you like to see your art in 5 years? <\/p>\n
I want to see my work published with a combined exhibition. <\/p>\n
What would you like to see happen in Louisville for local arts and artists? <\/p>\n
no answer <\/p>\n
Why does art matter to you? <\/p>\n
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See original here: <\/p>\n
Spotlight On: Great Meadows Round 22 Artist Development Grantees - Louisville Eccentric Observer (LEO Weekly)<\/a><\/p>\n","protected":false},"excerpt":{"rendered":" Great Meadows Foundation is the legacy of the late Reverand Al Shands and named after the home he and his wife Mary shared. The organization supports artists and curators with grant monies and opportunities for networking. Continue reading